Acting
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A frigid young housewife cannot reconcile her sado-masochistic imagination with her daily life with her submissive husband. While he is at work, she starts working in the afternoons at a local, first-class brothel.
The film tells the story of two old friends, Ahmet and Kemal, who work together to solve a murder. Ahmet, nicknamed "Baba," makes a living as an accountant. His son Ali, who works as a laborer at the same factory, is a union member. The factory manager pressures Ahmet to convince his son to leave the union. During a strike that breaks out at the factory, Ali is killed. Ahmet seeks help from Kemal, a businessman and his army buddy, to find his son's killer. Throughout this process, both Kemal and Ahmet begin to question their own lives.
Murat is a charismatic political prisoner in Malatya. He is well respected by both inmates and prison officers. There he meets two women: Tozey, a famous prostitute, and Hanim, a defenseless woman accused of murdering her husband.
The road runner movie of two clever cheaters turns to a love story.
Another story of Gırgıriye Neighbourhood. Güllü, her mother Sabahat, her uncle Bekir, Bayram, her father Emin, her sister Sevim, and her aunt Rabiş. Sabahat has completely lost her mind over money. They pool their earnings in a shared purse, and if anyone takes even three cents from it, she will gouge out their eyes. However, once the drums and flutes start playing, they stop fighting and start dancing... The Gypsy women are very troubled by their husbands... Bayram, Güllü's husband, is useless except for chasing after women, Sabahat's husband Münir is useless except for drinking himself into a stupor in taverns, and Bekir is useless except for gambling away their money. Güllü also has her share of admirers. Especially the boss, Deli Ömer, is deeply infatuated with her. One day, Sabahat loses her temper and kicks Münir, Bayram, Sevim, and Rabiş out of the house.
Pervin lives with her daughter Gül. The mother and daughter deceive the shopkeepers they owe money to, claiming that they inherited their wealth from their grandfathers, and live on credit.
This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.
A young woman is trying to build a decent life for herself, but has to deal with the sexual advances of men all around her, including her stepfather.
Meral is a show girl and drug addict and Yilmaz is a handsome police chief who fights against drug dealers. The tragic reality of the glamorous show world is revealed in the film's story. Meral's boss Haci wants her to spy on Yilmaz. However Meral and Yilmaz fall in love with each other. They work cooperatively and in a police operation headed by Yilmaz Haci and his men are caught wounded, but Meral gets shot.
Hüsnü is a fanatical Fenerbahçe supporter. He cheers on the team at matches. Hüsnü's aunt Ferhunde, on the other hand, lives a wealthy and elite lifestyle. Ferhunde does not approve of Hüsnü's lifestyle. She appoints him as deputy general manager at her company in an attempt to cut him off from his surroundings. However, Hüsnü soon escapes and returns to his old neighborhood. Ferhunde, however, is determined not to give up. She will play a game to cut Hüsnü off from the slums.
A highly accurate autobiographic film that depicts the aftermath of Bülent Ersoy's gender change and how she, her friends and community reacts to it.
Kemal is a casino owner, Tayyar is after his casino. Asli goes to a boarding-school, her granny is a flower seller from whom Kemal always buys some. Asli's father is in jail. One day Kemal hits Asli with his car, they become friends. She wants him to come to the school party, introducing him as her father. Tayyar's assassin shoots Kemal, Asli nurses him as he is released from hospital. They feel close to each other, yet Kemal wants her to stay away from the mafia world, he finds out that Asli is Fatma's grandchild. Fatma tells her that Kemal is married and has children. Tayyar kidnaps Asli, he asks Kemal for his casino to set her free. Kemal meets Tayyar, a volley starts and Kemal gets fatally wounded. Asli and Kemal loved each other, unfortunately Kemal dies.
Young, beautiful, and innocent girls from different economic and social backgrounds, who share similar problems, fall into the hands of the prostitution mafia and are forced into a life of endless shame. They are subjected to inhumane treatment. Lale, a college graduate, is the most beautiful among them. Escaping her stepfather's abuse, Lale seeks refuge at her school friend Nesli's house. She mistakes Nesli for a model and wants to pursue the same career. Nesli introduces her to a man named Reşit. Reşit drugs Lale, rapes her, films the act, and then blackmails her into prostitution.
A young and beautiful girl who happens to meet a photographer marries him despite her family's opposition. However, the girl has a tumor in her brain and only has a short time left to live.
