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Norberto Aroldi

Norberto Aroldi

Writing

Known For

Alta comedia
6.0

No description available.

Alta comedia

1970
AsĂ­ es la vida
10.0

Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades.

AsĂ­ es la vida

1977
Yesterday's Boys Didn't Use Hair Fixers
7.2

The romance between a young man from a wealthy family and the dancer from a place of fun.

Yesterday's Boys Didn't Use Hair Fixers

1969
¿Los piolas no se casan…?
8.0

The story revolves around Bebe (Santiago Bal) and Cacho (Tristan), two typical neighborhood boys who live different misfortunes in their constant search to conquer women. Bebe is half a blackmail and thinks he knows how to do them all, while Cacho is more shy and in love. Unexpectedly Bebe finds herself facing a relationship that advances faster than she thought, and that is why she decides to ask for some advice from her rogue neighbor, Don Carmelo (DarĂ­o Vittori), a veteran punguista who is in a couple with a beautiful woman much younger. Thus the plot is taking place between entanglements, alleged infidelities and an imminent marriage that no one expected.

¿Los piolas no se casan…?

1981
Mi amigo Luis
7.0

The story is based on the cadets of the Military College and their relationship with an older officer (1st Lieutenant) whom they see as a father.

Mi amigo Luis

1972
Those Crazy Years
8.0

The son of a businessman leaves his home to be an actor, but when his father dies, he abandons his dream to become an executive.

Those Crazy Years

1971
El divorcio está de moda (de común acuerdo)
9.0

The failure of a marriage and its consequences in the family.

El divorcio está de moda (de común acuerdo)

1978
Los muchachos de mi barrio
6.7

Lito Ugarte, a successful singer, returns to the country where he was born. He comes back to the city where he grew up, reuniting with his old-time friends.

Los muchachos de mi barrio

1970
Escándalo en la familia
9.0

A veteran popular singer comes to town with her daughter in order to achieve success in television. She introduces her daughter to a contest winning one of the top prizes. At the same time, a veteran politician is campaigning to scale the governor's office.

Escándalo en la familia

1967
Amor libre
10.0

A beautiful young girl tired of waiting for his boyfriend to propose to her, will generate a series of amorous misunderstandings.

Amor libre

1969
AdiĂłs Alejandra
10.0

No description available.

AdiĂłs Alejandra

1973
El andador
9.0

A late pregnancy disrupts the routine of a mature marriage.

El andador

1967
Los chantas
9.0

Several losers living together in a Buenos Aires boarding house try to make a living while dreaming of a big life-changing score.

Los chantas

1975
Aconcagua
10.0

Life in a detachment at the foot of the mountain range is altered by an accident and by a woman.

Aconcagua

1964
The Naked Beast
6.2

The police, led by Inspector Ibanez, are baffled by the murders of several attractive female dancers who all work on a musical TV show that features a horror-themed tableaux. The killings are the work of a masked psychopath with a taste for human blood and there are many suspects…

The Naked Beast

1971
Lo prohibido está de moda
8.0

Different porteño arquetypes and their views on sex.

Lo prohibido está de moda

1968
El fantástico mundo de la María Montiel
10.0

A girl and her fantasy universe in the brick ovens.

El fantástico mundo de la María Montiel

1978
Con alma y vida
6.5

No description available.

Con alma y vida

1970
El salame
7.0

A submissive and unhappy man is mistaken for a famous assailant and people who despised him begin to respect him.

El salame

1969
Pobres habrá siempre
10.0

"Pobres habrá siempre" is a rarity within Argentine cinema for many reasons. Its theme is the rebellion of a group of meatpacking workers around 1935 and the several reasons that justified it, but the film was shot at a time when workers and union struggles were very strange issues for local production.

Pobres habrá siempre

1958