Lorraine Pintal

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Public figures from different backgrounds meet each week. At first glance, these guests would seem to have little in common. However, something does unite them all: an event or experience that they have graciously agreed to share that justifies their seat at the same table. As the program unfolds, their shared history is gradually revealed.

Viens voir les comédiens is a television show on the Canadian French-language arts and culture television network ARTV.

A culture show set hosted by Marc Labrèche and his collaborators, Simon Boulerice, Émilie Perreault and Fred Savard. Each week, based on a significant year in history, they revisit a cultural event of a previous era and compare it with today’s yardstick. The hosts and their guests examine subjects that link the chosen year to what’s hot in cultural circles right now.

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Michel is a Belgian inventor. He cares for his father, a paralysed writer, is married to a Congolese woman and is the father of an interracial child whom he reassures as to his parentage. He discovers at the age of 41 that he was adopted, actually having been born in Sainte-Cécile, Quebec. In the summer of 2000, he travels to Quebec, supposedly to sell some of his inventions. While on a near-impossible quest to find his birth family in the town where he was born, he crosses paths with Louis Legros, son of another inventor, in a meeting which will change their lives.

This historical drama with music examines the life and times of Émile Nelligan, one of the major Canadian poets of the 19th century who struggled through a difficult childhood with the help of his loving mother, only to see his career cut short by tragic circumstances.

This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.

Jean-Paul, a successful plastic surgeon, separates from his wife and he sees his life turn upside down when everyone in his family blame him for all their troubles.

30-year-old Quebec City native Gisèle lives a quiet life as a secretary without happiness with her parents and siblings. One day, tired of being teased by her office mates, she decides to consult a marriage agency to find her soul mate.

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A TV film staging of Michel Tremblay's play "Sainte Carmen de la Main" by André Brassard.

Directed by Ariane Louis-Seize, this tribute film was created as a gift for Lorraine Pintal, director of Montreal’s Théâtre du Nouveau Monde. Featuring some of the most memorable characters and performers of Pintal’s career, the film’s succession of surreal scenes from different dramatic worlds introduces viewers to the exceptional woman of theatre, stage director, and friend whom they consider to be the “ghost light” of Quebec theatre.