Bernard Zitzermann

Working extremely hard to keep his hotel afloat, Paul begins hearing voices in his head. Convinced that his wife has been unfaithful, he begins to see every male guest as a potential threat. What follows is Paul's downward spiral into the madness of deranged jealousy where he finally discovers that hell is not a state of mind – hell is himself.

Sophie, a quiet and shy maid working for an upper-class French family, finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers.

A history of the French Revolution beginning from the decision of the king to convene the Etats-Generaux in 1789 in order to deal with France's debt problem. Part one spans the event until August 10, 1792 (when the King Louis XVI lost all authority and was imprisoned). Part two carries the story through the end of the terror in 1794.

L'Apocalypse des animaux is a six-part documentary series by Frédéric Rossif, broadcast in France in the early 1970s. It marks the first collaboration between filmmaker Frédéric Rossif and Greek composer-musician Vangelis.

In Victorian England, wealthy patriarch Sir Harald Alabaster invites an impoverished biologist, William Adamson, into his home. There, William tries to continue his work, but is distracted by Alabaster's seductive daughter, Eugenia. William and Eugenia begin a torrid romance, but as the couple become closer, the young scientist begins to realize that dark, disturbing things are happening behind the closed doors of the Alabaster manor.

A farce, Hoskins plays a photographer who specializes in religious pictures who searches for a model for Jesus. He does a favor for a friend and finds himself doing a voice track for a porno movie with Natasha Richardson. Hoskins finds his model for Jesus in Jeff Goldblum and a romantic triangle begins in which Goldblum finds adoring crowds believing him to be Jesus and then begins to believe it himself.

Ambitious Emma Eckhert successfully makes her way into a world previously reserved for men: that of high finance. She quickly becomes popular with small savers, but leads a scandalous life that will cost her.

In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.

An American film-star and an unknown British actress meet on set in Rome. She is angry when he refuses to speak to her journalist father, but later they have a passionate relationship.

Directed by Philippe de Broca, the film recounts a bloody episode of the French Revolution. 1793, the Terror . In Vendée and in Bretagne, the chouans are revolting against the young Republic and fight for the monarchy restauration. The civil war divides also the family of the Count Savinien de Kerfadec, a liberal and generous noble and a flying machines inventor.

Cyril and Fiona, a free-wheeling married couple, travel to a tropical coastal town to follow their sexual fantasies. Cyril is a manipulator. There, they meet another couple, Catherine and Hugh, and their three children. Hugh is a one-armed photographer who specializes in nude photographs of peasant women. Soon, they decide to live together and an erotic atmosphere develops between them.

A young student decides to have no more interaction with the world than is needed to minimally sustain life. His increasingly automaton-like behavior is coupled with a strange clarity of insight about the world around him.

After a train accident, a woman survives and is mistaken for an other woman she just met on a train before the accident.

A drunken, self-destructive woman called Betty wanders into a Parisian bar where she meets middle-aged alcoholic Laure. Laure decides to take care of Betty. Recovering in a hotel room, Betty begins to recount to Laure the story of her bourgeois life and her unhappy and unfaithful marriage.

The Bettoun clan: Raymond (the patriarch), Maurice (the son), Jacky (the nephew), Roland (the nephew), Albert (Raymond's cousin), Pépé (Raymond's friend), Samy (the bodyguard) are a family clan of Jewish Blackfoot kingpins of French organized crime. Their activities include running casinos, organizing underground boxing matches, illegal gambling, pimping, racketeering and bloody settlements of scores against other Arab and French clans. But in the shadows, Pascal Villars has sworn the loss of the Bettoun. He will succeed in setting the Arab clan against the Jewish clan, for the great benefit of the police commissioner Duché, who has been trying in vain for ten years to bring down the Bettouns.

The name of painter Jean-Honore Fragonard (1732-1806) is synonymous for a kind of painting style which celebrates carefree romantic life, indoors and out. He was a painter during the final decades of the French monarchy. In this story, he and his brother Cyprien (Robin Renucci), who is an early pioneer in medical anatomy (he dissected corpses and made drawings of what he found in them), have fallen in love with the same woman, Marianne (Philippine Leroy-Beaulieu), a laundress. This attraction has not escaped the notice of Salmon d'Anglas (Sami Frey), a conniving nobleman, who has his heart set on getting revenge on Jean-Honore (Joachim de Almeida) for refusing his patronage and becoming the darling of the French court.

Françoise has gone into business seducing men whose wives want to divorce them, and who need incriminating evidence against them. In addition, she has a little blackmail operation going on on the side with politicians who can't afford a scandal. She got started on this business after she was raped, and hasn't looked back since. Now the police are on her trail, and she avails herself of the services of a couple who make a profession of hiding wanted criminals. At the hideout, she meets Simon, a second-generation mobster. As the police close in, Françoise and Simon go on the run together, pulling off occasional heists for operating money. Before long, they have also fallen in love.

Olivier, the nine-year-old son of Elisabeth and Serge, a country veterinarian, vanishes one afternoon on the way to his grandmother's house. The emotional aftermath of his disappearance sends his father packing and nearly destroys his mother.

Jean-Baptiste Poquelin is raised by his father and his grandfather because his mother dies when he's still very little. He works as a handyman, studies the law at a university and travels the country as an actor before he becomes the celebrated playwright Molière who impresses firstly the Duke of Orleans and then even King Louis XIV.

Although he was once a colonel in Argentina, the principal character in this film is now a wealthy exile living in Paris with his beloved wife, who has been unable to bear children. To fill this void in their lives, he feeds and clothes abandoned children, raising them in his mansion as if they were his own. As would never be the case in real life today, in this fantasized story set in 1925, no one objects to this behavior, and they live pleasantly and enjoyably together. Things grow considerably more animated when a stage magician places his very attractive daughter in the colonel's household, which stirs a lively romantic interest from his boys and from the great man himself.