Nina McNeely
Crew
Biography
Nina McNeely is a storyteller, provocateur, and a creator. She is a choreographer, visual artist, director, creative director, and animator. Nina is madly in love with people, and finds no greater pleasure than studying the human condition. In her experience, the human form in motion is both poignant and poetic, capable of expressing concepts and feelings that words simply cannot. She sees the connection and chemistry between people as an immeasurable force, containing pure electricity. Nina's work is visceral, rebellious, rowdy - and at once introspective, delicate, and alluring. She strives to be an unknowing vessel that channels artistic expression, and a guide that may lead any willing artist towards their own truth. As an avid believer in Magick, Nina has a keen eye for those who contain it. She prides herself in her preparedness, attention to detail, and work ethic - she never shies from a challenge. Throughout her career, Nina has been fortunate to work with Björk, Gaspar Noé, The Weeknd, Rihanna, Foo Fighters, Sam Smith, Alicia Keyes and black midi to name a few - all legends in their own right.
Known For
After a nervous breakdown derailed Jocelyn's last tour, she’s determined to claim her rightful status as the greatest and sexiest pop star in America. Her passions are reignited by Tedros, a nightclub impresario with a sordid past. Will her romantic awakening take her to glorious new heights or the deepest and darkest depths of her soul?
The Idol
When a dance troupe is lured to an empty school, a bowl of drug-laced sangria causes their jubilant rehearsal to descend into a dark and explosive nightmare as they try to survive the night—and find who's responsible—before it's too late.
Climax
A high-art, high-fashion showcase of a star's many personas-and a vivid reminder that our art, not our obstacles, ultimately defines us. Free, focused, and fucking shit up again, it shows every side of Fergie-the superstar, the visual artist, the creative director, the label head, the fashion icon, the wife, and, she'll tell you most importantly, "mom."
Double Dutchess: Seeing Double
Takes the music from the studio to the screen with gorgeous visuals and a sense of heightened reality envisioned by Musgraves and Zeinali and shot by Academy Award-nominated cinematographer Matthew Libatique.
star-crossed: the film
"The Kids Are Alright" album film
The Kids Are Alright
A cathartic movement film expressing feelings and emotions through a 'story of movement and text', rather than a plot. Capturing emotion and physicality on an experiential and non-linear narrative level.