Robert Cohen-Solal

Les Shadoks is an animated television series created by French cartoonist Jacques Rouxel which caused a sensation in France when it was first broadcast in 1968-1974. The Shadoks were bird-like in appearance, were characterised by ruthlessness and stupidity and inhabited a two dimensional planet. Another set of creatures in the Shadok canon are the Gibis, who are the opposite to the Shadoks in that they are intelligent but vulnerable and also inhabit a two-dimensional planet. Rouxel claims that the term Shadok obtains some derivation from Captain Haddock of Hergé's The Adventures of Tintin and the Gibis are essentially GBs. The Shadoks were a significant literary, cultural and philosophical phenomenon in France. Even today, the French occasionally use satirical comparisons with the Shadoks for policies and attitudes that they consider absurd. The Shadoks were noted for mottos such as: ⁕"Why do it the easy way when you can do it the hard way?" ⁕"When one tries continuously, one ends up succeeding. Thus, the more one fails, the greater the chance that it will work."

In a white lace universe, three inventors create machines which are both pretty and useful. Unfortunately people do not understand them...

After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god, known as "The Daughter of the Sun."

Documentary on the French phenomenon in celebration of a reboot of the series.

Little did this pretty brunette know when she applied for a babysitting job that her employer was an artist and that everything at his place differed from the outside world. What struck her the most was to find out that her boss had shrunk his wife and kept her in the fridge in order, as he said, to keep her safe from a hostile world!

A poetic tale where nothing truly dies as objects and memories within “play-back” reveal the persistence of presence across generations. Elegantly crafted, this César-winning short blends emotion, memory, and visual rhythm into a quietly powerful cinematic experience.