Directing
In his basement in San Francisco, boy-genius Quinn Mallory unlocks the doorway to an infinite number of Earths. During a test run, Quinn invites co-worker Wade Welles and his teacher Professor Maximillian Arturo to see his new invention. But an increase in power and an early departure leave all three, plus a washed-up soul singer named Rembrandt "Crying Man" Brown, lost in a parallel world. Now they must "slide" from world to world, not only adapting to their changing surroundings, but also trying to get back to their world. Will they ever make it home?
Isaiah Stern is a wealthy, but dying, toy manufacturer. Once more Stern has gathered together his grown sons to revise his will. Three of the four boys are used to these idiosyncratic changes and have come to accept them. The fourth son, a married psychologist, is heavily in debt and doesn't like his thin share of the pie, which sparks a confrontation. The remaining sons are a bachelor who runs the family store, an indecisive sort who still lives at home, and daddy's favorite, a closet homosexual.
When Martin Niconi goes across country to get away from a sorry family and associates problems, he finds a secluded area high in the Sierra Mountains area of California to begin life over as a logger. He meets Anna Hennessey and her son Jeff and the romance begins. Anna's brother Max is a logger whose crew includes Martin and he is determined to keep them apart.
Koryo Celadon remains one of the high points of world art. This Korean pottery style, which was at its peak in the 12th Century A.D., and called by the Chinese "one of the ten most wonderful things in the world," was a truly major achievement in the field of ceramics. Its most important element was its delicate green glaze, a secret formula now lost. As simple and elegant as Koryo Celadons appear, they were the result of intricate craftsmanship that often employed up to four inlays.
