Lee Min-hwi

Jooin, a 17-year-old student confused by love, unleashes chaos with some words spoken in a moment of anger. Anonymous notes questioning her actions begin to arrive, altering her quiet life.

Three lonely strangers meet at their department store jobs and find solace in each other's company while they explore connection and the nature of love.

Park Ha Kyung teaches Korean literature at a high school. To escape her ordinary days, Park Ha Kyung decides to take one day trips on Saturdays. During her one day trip, she walks around, eats different foods, and meets various people. She realizes she receives comfort and empathy through her travels.

The story of those who see and make films, and the cinema that brings them together.

Depicts the process of meeting a family who lives a homeless life like camping along a highway rest area, and a couple who accidentally hold hands and the process of the birth of a new family. The story of a family wandering the streets with the hope that they will meet the warmth and affection, compassion, trust, and hope between people who still exist in the cold reality, is revived with the courage and help of someone.

Merely Known as Something Else tells the story of a man who disappeared one day and the three women entangled with him for different reasons, presented with meticulous emotion and a unique format.

To 18-year old Kang-yi, her friends So-young and Ah-ram are everything. Wanting to go somewhere foreign, she runs away from home with them, only to find a strange side of themselves and the balance of their friendship also tips in a weird way. Although they left home as one, but they eventually return home as three. Kang-yi wants nothing more than going back to how they were but that’s easier said than done…

Reality and fantasy melds as a Korean documentary film director attempts to capture life in the small town of Gojo, Japan.

Sixteen year-old girl Jeong-ae receives a letter from her mother, who left home long ago. Jeong-ae is living with her father in the redevelopment area of Seoul. He was diagnosed with an end-stage cancer and is waiting for his death while giving up treatment. Jeongae is on her way to find her long lost mother, thinking that it is her only hope left.

Part I : A middle-aged woman gets off a bus at Muju Terminal. She passes through the town and walks into a forest. She starts to search for the vestiges of her life from beyond the grave. Part II : A young woman, Minjae, returns to her hometown of Muju and starts to work at the county office. Her mother is displeased that her daughter has returned to the hometown. One day, Minjae’s friend from college, Kyungyoon, who hadn’t been in touch for a while, comes to see her.

Su-kyung lives with her daughter Yi-jung. They don't quite get along, though. Su-kyung is too hot tempered, while Yi-jung is slow and passive. After having a fight one day, Su-kyung runs over Yi-jung, who thinks she did it on purpose. Their clash ends up in court.

Is it acceptable for a forty-something woman to be in a relationship with 17-year-old boy? The idea of love between two people with such an age gap and the social exclusion that it can bring is the subject of Pascha. Gaeul is a 40-year-old screenwriter who lives with 17-year-old Joseph and their cats. The families of the two lovers cannot comprehend the relationship. Gaeul's family are especially baffled by every aspect of her life; raising a cat and living off of vegetables, let alone having a 17-year-old lover! Gaeul's family see her as the family's dirty little secret. More and more obstacles from society are placed between the lovers and their happy ever after; poverty, death, opposition against vegetarianism and the couple's pregnancy. Can a love like this survive no matter the odds in today's society?

Young-sil and Insik become lovers eight hours after meeting. Insik is certain that Young-sil is a free spirit. Anxious Insik makes Young-sil promise that their love will be forever, whatever happens. Young-sil tries to keep the promise, even after their breakup. 8 years later, Young-sil likes Woodo, but is unable to do anything.

Myeongseon is a veteran who has been earning a living doing sewing work at Changsin-dong sewing alley. Watching famous actors featuring in K-dramas wearing designer products that she custom-made is her greatest joy. However, work is decreasing and her close co-worker friend Hyun left Changsin-dong. Now Myeongseon is concerned.

Ahead of the age of 30, the second daughter, Jin-young, who is still preparing for employment, a blunt father who is more comfortable resting in a folding chair in factory than at home, and the mother is the only one who ties this incommunicative father and daughter together. One day, the accident suddenly kills the mother, and only the father and daughter remain in the spacious house where the three families lived.

There are four people who want to become an actor. Their names are Hun, Eun, Jun, and Kyung. After watching the play [QUARTET]. They decide to participate in an acting workshop. They are trained by Mirae, the renowned actor of the [QUARTET]. Through the workshop sessions, Mirae is able to look into the inner lives of the four youths.

My parents were real estate developers and dealers in the 1980s. They achieved the ‘middle class dream’ thanks to the development boom. However, the Asian financial crisis swept everything away.

Hong-i, who suffers from debt, brings her mother Seo-hee, who is in a nursing home, to pay off her debt.

Three years since Korean society was first rocked by the MeToo movement, how much has changed? As the title suggests, #AfterMeToo tackles the activism and resistance that remained after the initial Me Too fever cooled. This anthology documentary ties together four shorts, dealing with the ‘School Me Too’ movement amongst teenagers, the fallout of the Me Too movement in the art world, confessions surrounding sexual trauma from long ago and its respective healing process, and the sexual self-determination of women.

Edhi Alice: REVERSE begins from the perspective of Edhi, who is about to undergo gender confirmation surgery, and transitions into the journey of another protagonist, Alice, as she comes to terms with her body. The narrative of transition expands beyond a personal life story to encompass relationships, bodily experiences, and the sense of space, becoming a cinematic transformation.