Tamari Tsitsishvili

The story is based on Konstantine Gamsakhurdia's novel and depicts the social and political changes taking place in Soviet Georgia in the 1930s through the line of the main characters: Tarash Emkhvari and Arzakan Zvambaya.

Four novels "Dinner", "Secret", "business Trip" and "Mozart", United by a common theme of kindness and attention to the surrounding people, tell about the adventures of two elderly, but not lost the taste for life of Georgians!

A film version of a well-known Georgian folk-tale. A young boy has to be immured into the walls of a fortress in order to stop it from crumbling to pieces.

Using a marriage broker, a Prince in dire financial straits plans to marry the wealthy daughter of a merchant, The girl is in love with the nephew of the prince. Forced by her father into the unwelcome match, she finds a friend in another matchmaker. They arrange it so that the prince will not like the girl when he meets her.

Vakhtang is talented artist but family liabilities don't allow him to work seriously. His wife Eka takes advantage of husband's trip out of town and exchanges her flat for a house in a colorful old city and sets up the artist's studio.

The film vividly tells us about the socialist competition between the Georgian and Ukrainian Kolmeurnei, which will grow into a cordial friendship and rise through hard work. In this solemn situation, the marriage of a Georgian young man and a Ukrainian girl, who have liked each other for a long time, is also celebrated.

Dariko's family has been opressed by the wealthy farmer Droidze. He made the goverment send Dariko's husband, Simona to the gulag and after that took their land.For killing Droidze's son, who intended to insult a woman who was left alone, Dariko is also threatened with imprisonment, but she escapes imprisonment, runs away and becomes the leader of squad who defend the oppressed people.

Salome, a former teacher, constantly lectures her student son, Gia, about morality and the perceived indifference of modern youth. Gia finds her mother’s views outdated. Seeking to help Gia clarify her values, Salome asks her husband, Vakhtang, for assistance. After speaking with his son, Vakhtang realises that Gia is a decent young man who lives in accordance with the current times. However, Salome’s illness disrupts the family dynamics. Father and son decide to fulfil Salome’s dream and take her on a trip to Lithuania.

The film tells a strange story, in flashback, about a British Telegraph Company’s engineer named Hughes appearing in a distant Guria village. Falling in love with the beautiful Anna, the Englishman became the enemy of her brother, Bolshevik Nestor. Both Hughes and Nestor were shot dead by Lavrenty Mgeladze, who had once had everything, but later was dispossessed and driven out of the village. The old Anna told that story to a young composer who recorded the music: “My dear homeland, why are you weeping?…”

At the end of the 20th century, the son of a distinguished family, Sosiko Cholokashvili, became interested in cinematography, a field unknown to the public. Despite his inexperience, financial difficulties, and disappointment, one of the first enthusiasts of Georgian cinema recorded many shots depicting the appearance and existence of old Tbilisi on tape.

The film is based on Georgian medieval epic poem “The Knight in the Panther’s Skin” by Shota Rustaveli and depicts an episode of Nestan-Darejan’s release from Kajeti fortress.

The film tells the story of a country rebuilding itself after World War II. In a lively socialist competition between two collective farms, two lovers, Bidzina and Eteri, are actively involved. Bidzina has brought home the son of a fallen comrade from the front, whom Eteri mistakenly believes to be Bidzina's child. This temporary misunderstanding leads to a series of comedic situations.

A childless family adopts a child to raise. The husband takes good care of the baby, but his wife tries to avoid the responsibilities of the mother and finally, taking advantage of her husband's absence, she takes the baby back. In the second family, the situation is the opposite - Lia wants to adopt a baby, but her careless husband prevents her.

The modest Sandro does not dare to reveal his love to Maro, who, in turn, is very jealous of Sandro’s friendship with a female football instructor. Maro’s suspicions are unfounded, as Sandro is passionate about football and has only a sporting interest in the instructor.