Estevan de La Fuente

Lúcio who live with his family in a village near the sea has to cope with the daily psychological violence of his father, Jorge. Lúcio loves mermaids and on his birthday his mother gives him a surprise, but quickly the little joys are put in check by the guy who refuses to accept things as they are.

It opens, in the life of Fernanda, a possibility of reconstruction of its own image. And this happens from an offer of employment that reactivates in her all the relationship of affection that had been built with her mother during her childhood. But Fernanda, who is always in need of negotiating her identity with the outside world, will go through yet another test.

Through succeeding childhood photos, a girl begins to remember her personality, which in contrast to her sister’s, already strayed from assigned gender roles. The narration is addressed to her mother, as if attempting to establish a communication between different universes. The camera follows as the girl, now a teenager, enjoys herself accompanied by her friend and other night characters in the village, breaking gender and sexuality conventions, where the freedom of the body, and consequently of the soul, entails lightness.

Paula lives by herself in a condo. She's sitting on the couch watching TV.The doorbell rings, it's the postman who delivers a box with a sex doll in the inside. From that moment on, lonelyness gives room to fantasy and Paula transforms - lady's accessories give place to the charachter's homoerotic fantasies.

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Three friends. A sunday morning. A hangover, a lot of desire. What to expect from an unpretentious talk by the pool, drinking martinis?

A profound penetration into a fantastic and sensual world in which fruits and vegetables are mistaken as our deepest most hidden desires. Here, we have them in all sizes, all formats, all colors, for all tastes. In this market, no one goes home hungry.