Daniel Carson Goodman
Writing
Known For

Frank Andrews is a successful businessman. He has always found pride and joy in the company of his wife, son and daughter. He suddenly finds himself enthralled by the advances of a gay young woman siren, who lives in the same apartment house as he does. So marked an influence does she have over him as time progresses that at last he quite forgets his home ties, neglects his family, and goes the way of many other men who have forgotten the meaning of paternity and blood ties. The story is advanced through many scenes enacted with the accompanying notes of New York's night life, and the denouement comes when the faithful wife discovers her husband's infidelity. At this time the mother's mind nearly loses balance, while Jane, the beautiful daughter, crazed by the grief of her mother, determines to take part in the tragedy. With revolver in hand she steals up to the apartment of the woman, but her frail nature is overcome by the temperamental anger of the woman and her mission fails.
The Battle of the Sexes

Mrs. Adams (Hedda Hopper) succumbs to the spirit of jazz, moves into her own apartment, and even has an affair with Mr. Bell (Charles Richman), the father of her son's sweetheart. Miss Bell (Elinor Fair) discovers their meetings, and only then does Mrs. Adams realize the unhappiness she has caused. Shortly thereafter, she effects a general reconciliation.
Has the World Gone Mad!

Cabaret dancer Suzie La Motte is in love with Jim Moran, a boxer, but she tempts a young man named John Browning. Moran and John get into a fight in which Moran accidentally shoots himself. Out of anger at John, Suzie accuses him of Moran's murder.
The Daring Years

Pretty Irish lass Pegeen O'Barry lives in a small fishing village on the cost with her kind but alcoholic father and her vicious stepmother Moll. When her father is killed during a drunken brawl, a stunned Pegeen wanders down to the shore in her grief. She is noticed by Sir Arthur Ormsby, an Englishman who just happens to be sailing his yacht up the coast. He takes a liking to her and before long she's moved into his estate. Things are going along swimmingly until Arthur's wastrel brother Guy shows up.
Irish Eyes

Zudora, not knowing she's an heiress to a $20 million fortune, lives with her uncle, a mystic and detective, who covets her inheritance. She wants to marry John Storm but her uncle is against it. However, the uncle makes a bargain; if Zudora can solve the next twenty mysteries brought to him, she can marry as she chooses. Episodes 1,2 and 8, plus another unidentified chapter, survive. The rest is believed to be lost.
Zudora

No description available.
The Mayor of Filbert
Jim Miller lives in a cheap tenement with his wife and his sister. They had been in a better position in other days, but Jim has developed into a morose half-drunken character, suspicious and high-tempered. The sister leaves her own husband and comes to live with Jim. However, she is jealous of her sister-in-law and goes out of her way to be mean to her, and to poison Jim's mind against the weak, pretty thing who is his wife. One day Jim gets out of a job and while he is out looking for work and the sister is away at her work in the factory, Mary, the wife, steals out determined to add to the common share, while her husband is in hard luck. She finds work painting clay figures, an art for which she shows some talent. But she is afraid of Jim's wildness and as soon as she collects money she secrets it for a rainy day. One day after she has worked hard and hoarded some money, the sister comes in unexpectedly upon her, and when Mary goes out of the room finds the money in an old vase.
The Green-Eyed Devil

Leaving her small town home and coming to New York to study voice, Marian Lane soon falls in love with Allen Crauben.
Love's Toll

Men try to understand the women in their lives.
What's Wrong with the Women?

Gum-chewing frizzy-haired golddigger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly middle-aged real estate tycoon, William Judson. Marie moves into Judson's apartment building and contrives to meet and seduce him, plying him with compliments, music, swoons, décolletage, and batted eyes. When his loyal wife (and their two children) see him out catting with Marie at a night club, mom's devastated and confronts him. He moves out. Babe wants Marie to sell Judson worthless bonds. Will mom commit suicide? Will sis shoot the floozy? Will pops figure out he's being a fool?
The Battle of the Sexes

William Randall becomes a bootlegger to provide his wife with the luxuries she demands. As a consequence, he is free only on weekends while Barbara is influenced by a jazz set and spends most of her time at fashionable resorts. Although Barbara remains faithful to her husband, she goes canoeing with another man and nearly drowns when their canoe is hit by a yacht. Gossipers at the resort convince William that Barbara was cheating and he should leave her. She goes to Paris, France, while Federal agents arrest Randall and release him under bail. Meanwhile Barbara, left alone, sends for her husband, who, instead of replying, catches the first plane to Paris. Barbara has already taken poison, but she recovers when Randall arrives and they return to America together.
Week End Husbands

Dalion Pemberton discovers that in order to inherit his grandfather's estate, he must marry Virginia Christy--a complete stranger. Dalion, who doesn't particularly trust or even like women, decides to forgo his grandfather's fortune rather than marry a woman he doesn't know. However, while on a trip to Buenos Aires, Argentina, he spots a beautiful woman and immediately falls for her. When he discovers that she is sailing to New York City, he stows away on the ship so he can follow her. Things don't turn out quite the way he planned.
A Regular Fellow
No description available.
Heartaches
No description available.
The Heart's Tribute

A woman with a notorious past enchants a student preparing for the foreign service.
Sapho

The Toilers is a 1916 American film drama directed by Edgar Lewis.