Hélio Eichbauer

In 1925, Gabriela, a poor, uneducated, yet charming woman becomes cook, mistress, and then wife of Nacib, a bar owner in Ilhéus, a small Brazilian coastal town run by the local colonels.

A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.

Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.

This epic Brazilian film was based on the equally epic novel by Antonio Callado. Set between 1954 and 1964, the film's focus is the saga of Jesuit priest Nando. Fed up with civilization, he ventures deep into Amazon country to live with and work among the Xingu Indians.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

Daily scenes of a grotesque family living in the metaphorical island of Babaloo.

In the mid-1870s, Jacobina, daughter of German immigrants, became leader of a sect that believed in healing the body by cleansing the soul. After having a divine vision and speaking to Jesus, she changes her appearance and manners, disturbing the conservative population of the place. After the death of opponents of her sect, local authorities decide to take action against her and her followers.

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Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

A millionaire lives in a sinister cottage where strange events unfold. A damned creature, he transforms himself in a werewolf and leads a following whose adepts spread horror and despair in the neighboring city, becoming themselves a clan of assassins. One day, the werewolf confronts Branca Justiça (White Justice), who summons benign forces to scathe them and frees him of his own wickedness.

No description available.

Five years after his last tour, Chico Buarque returns with a show to launch his newest CD, Chico, which has already sold over 80,000 copies. Despite having one of the most solid and prolific careers in Brazilian Popular Music (MPB) — releasing more than 40 albums over 45 years, including solo works and projects — the composer rarely appears on Brazilian stages. This will be only the sixth show he has performed in the last 36 years. Lasting approximately 1 hour and 30 minutes, the setlist is built entirely around the ten songs from the new album. In addition to these, the artist sifted through his vast catalog of over 400 songs—diverse in both genres and themes—to finalize a list of 30 tracks. The project, titled Na Carreira, is a celebration of this great artist’s return to the stage, revisiting classics such as Todo Sentimento, Bastidores, Baioque, O Meu Amor/Teresinha, Anos Dourados, among others.

No description available.