Aziz Imamoglu

Aile is a story of Aslan who is the son of a large family, runs a nightclub. An extremely shrewd man. He is a dark and mysterious character. Psychologist Devin will enter the life of this difficult man and it becomes intense.

Centered around a personally troubled, officially discredited police chief and his inharmonious police team in Ankara Police Force. Even though the show usually focuses on murders and other crimes that happens on a weekly basis, the undertone of the story leads to an eventual duel between Behzat Ç. and the rotten department officials and bureaucrats.

A matriarch and her grandson forge a special bond during family picnics every two months, until her health causes a conflict among the relatives.

No description available.

A group of drug-influenced lumpen teenagers from the suburbs of the city descends into the center where they do not belong, where they are excluded. They adopted a brutal method to seize rights that were not granted to them. Unaware of what will happen to them, cheerful and well-to-do university students are helpless in the face of this gun-wielding mob that suddenly raids the bar where they are having fun.

The film tells the poignant story of a soldier crossing the roads in a winter. Soldiers from different places should adapt to the military. Those men with dreams, goals, fears, and ambitions will learn to develop themselves in the toughest conditions of their military service, learn what it means to be a soldier, and have to fight with the demons in themselves.

After his divorce, Yiğit takes his teenage son Onur on a trip to the lake where he spent his childhood.

An aggressive police officer tries to solve the mystery behind consecutive murders. While doing so, he must fight against his inner demons.

In the absence of Behzat Ç., a superintendent named Himmet gets replaced as the president of the murder Bureau. When the murder of minister of Interior makes a big impact, Himmet decides to take advantage of it and he makes his team help the fight against terrorism bureau.

Escaping from their dysfunctional families, Behiye and Handan become best friends. Their euphoria will soon be replaced by regrets and eventual betrayal as class differences resurface.

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

Salih works as a night watchman at a town cemetery. Every afternoon he comes to the guard shack and goes back before sunrise. Despite his advanced age, he walks the same 2 kilometers every day. Because of his job, he turned in on himself and has been detached from the real life. The things he experiences on the road, strange men coming to his hut at night and the young girl in Salih’s endless dreams lead him into deep paranoia. Reality and illusion is indistinguishable... Until the first lights of the day...

Aşkın, who had been working in the film industry for a long time, was unable to fulfill his dreams and returned to his hometown after his father's death. He found himself right in the middle of the life he had rejected years ago. Everything seemed frozen in time. Is the departure of a father the cause of destruction? Why does a generation whose dreams have vanished seek a place for themselves in a world they wish to change? The games played to maintain the status quo continue to repeat themselves. How can Aşkın cope with his old-new life? Can a woman's love help a man caught in mental conflict find his way out and turn back time? Why do we feel ashamed of the truth, because we hide it? Can love build a new life within the ever-narrowing circle, between his family, his friend Ali, and Oya, who has made it her mission to change him?

Nursel is an actress who settled in France. One day, she is offered the lead role in a play about Iranian poet Forugh Farrokhzad, whom Nursel admires. But when she returns to her home in Istanbul, she encounters Perisa, an Iranian translator who has come to Istanbul to search for the man she loves, Arash, with whom she is pregnant. During this time, as Nursel attempts to overcome her emotional detachment, Perisa's difficult pregnancy affects the transformation of these two women.

A gang of swindlers called Bukalemun A.Ş. comes to Kısmetli under the pretext of establishing a chameleon farm. They claim that chameleon oil will be extracted from the farm and sold to the medical and cosmetics industries. The swindlers have brought with them a rare chameleon, the last of its kind, but in order for it to reproduce and multiply, they need to find a male chameleon. The elderly residents of Kısmetli eagerly begin searching for chameleons in hopes of becoming wealthy. Meanwhile, funds are being collected for the farm. However, everything changes when İsmet, a man of questionable sanity, intervenes.

When the lights dim and the visitors depart, the unseen struggle of the workers emerges. Amidst the threat of layoffs and the challenges brought by the pandemic, this documentary, through the eyes of the team, reveals their resilience in the face of uncertainty and the unseen hardships behind the colorful facade.