Cary Lawrence

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

Space Cases is a science fiction television series. Its premise revolves around a group of misfit students and two adults who are stranded far from home aboard an alien ship. Their attempts at journeying back see many dangerous adventures and controversies, with some occasionally more mature themes.

All bets are off when shady homicide cop Rick Santoro witnesses a murder during a boxing match. Determined to solve the crime, he quickly learns that his search for answers will only uncover yet more questions in an ever-widening web of conspiracy, intrigue, and danger.

As a kid, Leo thought he possessed, like a magician, the secret power to make things happen. As a young man, he certainly knows how to make things happen with women. But as his best friend Krantz would say to him, "Why do you always ask questions you already know answers to?" Leo believes firmly in what he invents from one day to the next. Images, impressions, stories fill his head. That's just how he is: life, for Leo, is just a game. Behind this childlike attitude, hides the very essence of his own life's quest.

In 1965 New England, a troubled girl encounters mysterious happenings in the woods surrounding an isolated girls school that she was sent to by her estranged parents.

Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.

After Nell’s family cancels holiday plans at the last minute, she decides to spend the week of Christmas having fun on her own — and crosses paths with her neighbor, who is “happily unattached.”

A young girl is plucked from small-town obscurity and thrust into the spotlight of the glamorous world of super-models.

A young artist is desperate for money to save his brother from the mob. Drawn into a criminal world of theft, betrayal and murder, his only way out is to get in even deeper. If he fails, it could cost him his life.

As a talented producer for the dating reality-TV show, 'Head Over Heels', Claire Bardoz's days are spent behind the curtain, focused on producing the epic love stories of her contestants, all the while living vicariously through her own lacking love life.

When a woman falsely accused of murdering her husband is released from prison after 8 years, she hires a private investigator, determined to find out who framed her. What she doesn't know, is that the killer is about to do it again.

After Debbie Smith was raped, she didn't take the law into her own hands. She wrote the law... Based on a true story. In 1989, Debbie Smith was living a quiet life as a housewife with her police officer husband, Rob and their two kids, but one day it's all shattered. While her husband slept upstairs, Debbie was dragged from her kitchen in broad daylight and brutally raped in the woods. After going through the dehumanizing rape-kit, she waited with fear and paranoia. Six years later, her rapist was caught through a chance DNA test. After learning how many rape-kits go untested and how long women wait to get justice, Debbie makes it her mission so no more women will suffer the long wait to get justice.

For more than 25 years, Marc Côté, street chaplain and parish priest, has lived with the poor and the homeless. Today, Marc is a worn-out man. Exhausted from running his church, which serves as a shelter, and overwhelmed by the bills they can no longer pay, Marc must face the facts: he will have to shut down his church. Like a call from Providence, he inherits a property in the Bas-du-Fleuve region and decides to take a group of homeless people with him, who, like himself, need a vacation.

In Philadelphia, the psychologist Dr. Liz Manners is the host of the WLOR Talk Radio Show giving advices about relationships to her audience. When she suggests to her listener Sara Jane to leave her abusive and obsessive husband Kyle Lundstrom, Sara runs away home chased by Kyle and is hit by a car, immediately dying. The psychopath Kyle decides to use his money to destroy Dr. Manners' life, and assuming the fake identity of the investor James, he meets her husband Rob and poisons her marriage

After the bombing of his father's chocolate factory, a young Syrian refugee struggles to settle into his new Canadian small-town life, caught between following his dream and preserving his family's chocolate-making legacy. Based on the incredible true story.

Cassett's Parisian solitude is disrupted by the unexpected arrival of her brother's three kids, but she soon finds herself inspired and uses the children as models. Meanwhile, Cassatt's teenage niece plays cupid between Cassatt and the great painter Degas. Romance does not blossom but Degas invites Cassatt to join the Impressionists.

Advertising executive Trey Mitchell regularly works late and dines with his ex. That makes his wife Leeza so suspicious she hires a P.I., ex-cop Ethan Woods. But he has a dark past and intends to eliminate Trey by any means and make Leeza his. Dirty tricks and even murdering an observant neighbor fabricate enough proof to break up the couple, but they get back together as darling son Dylan deserves. Ethan now hires a junkie to stab Trey to death, but that backfires. His surveillance equipment is discovered, but he escapes and makes his last move.

Callie finds herself affected by big business politics and decides to join an activist group to do something about it.

Tells the story of the realities faced by women in the film and TV industry yet simultaneously depicts the necessary, possible and achievable ways to transform them. The story is set in common TV backdrops – from a police procedural to a sitcom (complete with laugh track), to a medical drama, to a webisode series.

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