Małgorzata Szczerbowska

Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.

Detective Mandżaro and his Warsaw crime unit deduce the hidden design linking apparently unrelated crimes, and a city-wide conspiracy is exposed.

Set in Szczecin, Poland, the series begins after the body of a young woman is discovered under the melting ice. It asks ‘Who was she? Why did she die? Who did she leave behind?

A young woman haunted by her past joins a mysterious professor and his group of gifted students who investigate paranormal activity — and fight demons.

Addicted to technology, a group of teens attends a rehabilitation camp in the forest, but a sinister force there intends to take them offline forever.

Mula lives with her husband, sick mother and daughter Nina in a countryside house. At the weekend before Nina’s First Holy Communion, her brother with his family come for a visit together with Kaja – Mula’s younger sister, who disappeared suddenly 6 years earlier. Kaja is Nina’s biological mother. Mula is afraid that unstable Kaja might want to take her daughter away.

An attempt to tell the story of one woman's fate. What Ela wants is never said directly, but sometimes it is painted on her face as she cleans her house, dances, or cries.