Mónica Raiola

A fairly realistic fiction by Martín Piroyansky about the life of Martín Piroyansky. The story revolves around an actor who loses his job due to an employment contract, which for many people is an unsolved mystery.

No one can and should live without love. This biographical series chronicles the life and career of passionate, iconic Argentine rock star Fito Páez.

Felipe a wealthy businessman who has been quadriplegic, due to an accident, is looking for a therapeutic assistant. There are several highly qualified, but he decides to take the assistant of his gardener, Tito who has decided to resign.

Galán is a plumber who falls in love with Venecia, a millionaire girl who lives under the mantle of her father, Mr. Dolape, and the mistreatment of her stepmother Lucrecia, who prepares a plot with Carlos Carlos to obtain the worst ending.

An image consultant helps a corrupt politician form a romantic attachment with a journalist who despises him.

Álvaro is a marketing manager, divorced with a son who he can barely talk to, living a mediocre life and doing a mediocre job, until his bosses tell him he needs to improve his marketing campaigns for the next 2018's World Cup. He'll soon launch a plan with Argentina's National Football Team and the upcoming qualifiers that may become a lot more risky that he planned.

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

Shy corporate employee Jorge Rizzi's life takes an uproarious turn when he participates in a hypnosis session that rips off his inhibitions and releases a hilarious alter ego.

Two siblings on a mission. After their elderly father gets hurt in an accident, they run to his side. He has breaking news about their mother, who abandoned them. He also hid something valuable and now brother and sister must work together.

Kiki Vega is the protagonist of a successful youth strip whose contract is not renewed and she finds herself in the need to explore new horizons. His goal: to get the leading role in the new film by a famous American director.

Brisa’s daily life alternates between the world of show business, appearances, and the stark reality presented by his son Hilario, who fell into poverty as a result of his addiction to drugs. The film portrays an intense fragment of Susana and Hilario’s story, the difficulties that arise when she tries to keep her professional commitments, the elegance with which she manages to avoid the low blows and her pain; but, fundamentally, the film reveals how this woman faces a difficult process without losing her dignity or sense of humor.

Twelve year old Juana goes to a British school in the outskirts of Buenos Aires, where she fails both socially and academically. A week away from the exams that will determine her future in the institution, she is surrounded by the same routine; going to class and trying to pull her social life back together, with useless attempts in between. Juana goes through these strange days apparently feeling indifferent towards the situation.

A seemingly perfect couple's anniversary dinner party unravels as hidden truths and past mistakes surface among guests, leading to humorous and dramatic conflicts.

No description available.

In a family of short lineage, they are forbidden to fall in love with tall girls.

Amelia, played by Paula and María Marull, is trapped by daily demands and obligations. She decides to embark on a journey to Esquina, in Corrientes, which will restore her essence, with the river, both metaphorically and literally, being one of the causes and protagonists of this dispossession. The viewer will gain access to the intimacy of the work in progress.

One lazy afternoon in the outskirts of the city, two women's worlds colide when they turn a casual chit-chat into a battlefield, unable to prevent the inevitable: a domestic tragedy. Based on the director's play of the same name, performed by the same actresses.

A foreigner arrives to Floresta and stays in a shared house.

Débora is 11 years old and is deaf. Facundo, her brother, is 18 and doesn't want her to grow up. Together, they have fun setting cars on fire while their father is away, until one day things slip out of control.