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On n'est pas couché was a French talk show broadcast on France 2 on Saturdays at 11 p.m., hosted by Laurent Ruquier assisted by various columnists.
Salut les Terriens! is a French talk show hosted by Thierry Ardisson, launched on Canal+ on November 4, 2006, and then moved to C8 on September 10, 2016. The show subsequently changed its name and format in 2018 to become Les Terriens du Samedi! (The Earthlings of Saturday!). Initially conceived as a humorous take on current events with several guests and various games and segments, it later evolved into a more structured format with panel discussions and regular segments. In 2018, Thierry Ardisson sought to revamp the concept, believing the previous version had run its course, hence the transition to Les Terriens du samedi! with a new set and new segments, and a 360-degree turn in the ideology of the guests.
On est en direct is the place where we talk about news and culture, where we host singers, actors, writers, and where surprises, and humor are par for the course! It's freedom of speech, with guests coming to speak on the news for debates without filter. It's also an opportunity to discover new talents ...
Georges Ibrahim Abdallah, a pro-Palestinian communist resistance fighter, is France's longest-serving political prisoner. Incarcerated for 40 years, he remains a symbol. He was suspected of being behind the attacks that sowed chaos in 1980s Paris and was convicted of murdering two diplomats. In the film *The Abdallah Affair*, which Pierre Carles dedicates to him, we discover a deeply troubling story: a country choosing an ideal scapegoat. An incredible piece of fake news and intense pressure exerted by the United States on France are at the root of this extraordinary length of detention. The official media machine went into overdrive, serving a national interest, blind and deaf to all the ambiguities of this case, which this documentary exposes. Georges Abdallah was imprisoned in France for nearly 41 years. Wrongfully. At 74, he managed to leave prison, standing tall, his political convictions intact.
A handful of student revolutionaries from the Seventies meet up 30 years later to plan a robbery. This is not entirely correct, because they are friends, anyway, and always have been. They play cards together and go to each others’ birthday parties, have wives and children and probably mortgages. Romain Goupil’s film appears to be a throwback to the experimental days of cinema verite. Either that or it’s a home movie, shot with a video camera, to an improvised script or no script at all.
An analysis of the rise of the European far-right, increasingly present in both politics and everyday life: an inquisitive journey through France, Germany and Belgium.
Naruna Kaplan de Macedo set up her camera in the editorial offices of the online newspaper Mediapart, before, during and after the 2017 French presidential election, to follow the daily lives of those who work there. Against the backdrop of some of the cases that shook French political life, the film gives us an unprecedented behind-the-scenes look at a certain kind of investigative journalism.
With archival footage from INA commented on by political figures, this documentary traces the history of the debate that has divided the left over secularism, from the emergence of a militant Islam in the late 1980s.
The result of an investigation that lasted several months, this documentary film reveals the extent of a phenomenon that we thought had disappeared: the traps, sometimes deadly, that target homosexuals on dating applications or sites. Ten years after the law opening marriage to same-sex couples, and in the run-up to the World Day against LGBTphobia on May 17, it demonstrates the persistence of homophobia in France. It also questions the way the police and the justice system respond to these attacks. The voice of the film is provided by Eddy de Pretto, a singer committed against homophobia.
Inspired by a book by Serge July, Le Dictionnaire amoureux du journalisme (A Lover's Dictionary of Journalism) is a declaration of love for freedom of the press, which underpins all other freedoms. This immersion with journalists at the heart of the stories they have covered brings to life often deeply moving investigations. Above all, it explains what a journalist is, what drives them, and what we owe them.
The duel between Pierre PĂ©an and Edwy Plenel revisits some of the great moments of French political life and tells the story of more than 30 years of journalism in France. From distrust to attack, from revenge to caricature, the two icons of French journalism, Pierre PĂ©an and Edwy Plenel, have always been at war. Everything opposes them: their working methods, their vision of the profession and even their way of being. Pierre PĂ©an has always worked alone, in secret, while Edwy Plenel was looking for his place in the collective, heading for the upper echelons of the media... In the 1980s, both men became stars of journalism. In the 1990s, with his best-selling investigations, PĂ©an invented his own independent business model, while Plenel became editor of Le Monde. Their exceptional careers have changed the way news is reported in France
