Acting
The storyline of the series is inspired by the events of 1994 in Jelgava, when 89 prisoners escaped from Pārlielupe Prison, tens of thousands of people were involved in their search, and mass arrests continued for ten years. dramas of mutual relations, a massive and enigmatic escape is organized, in parallel with the flourishing of the love of the main character and the daughter of the head of the prison and the hopes for a new, beautiful life.
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Liv's estranged alcoholic dad is about to die. The doctors at the hospital make no sense. Her boyfriend is about to have a midlife crisis. Her washing machine is broken. She thinks she'll be fine as these are regular adult problems. Spoiler alert: she won't.
An absurdist farce centering around a school in post-Soviet Latvia. After a rather disgusting prank (someone defecates in the school attic), the tyrannical headmistress deems that no one can leave until the culprit is caught. When the photographer's pet python escapes, havok breaks loose.
A true story of a 17 going on 18 year-old boy called Modris. He’s a guy who goes to school, has a girlfriend and some good friends. He has a small gambling addiction, which makes his relationship with his mother difficult. It’s also hard because the two of them live alone and the mother doesn’t miss a chance to remind him that his father is in prison and that Modris has a bad gene. Their relationship boils over when, in the middle of a Nordic winter, Modris pawns his mother’s electric heater in trying to squeeze a win from a slot machine. She betrays him to the police and Modris is sentenced to two years’ probation. That is when his adventures with the Latvian justice system begin and he sets a new goal: to find the father he has never met.
“Collective.Me” is an ironic comedy about the concept of lies and loss of faith. In a small village, a paper mill is expecting a visit from the Ministry. While the director and his team is looking for creative tools to subvert official’s attention, something much more important slips by unnoticed.
Three days in the life of Martin and Anna. They are both young, beautiful and in love. But life becomes unbearable when they can no longer satisfy their addiction. Martin tries his best, but the pursuit of the drug hits a wall every time and Anna's trust is lost more and more.
The documentary draws a portrait of an opera director who is staging Richard Wagner’s Die Walküre. He is torn between the tragicomic routine of an opera house and his own perception of Wagner and the Ring cycle. The film witnesses the director’s drama in maintaining the fragile link between a well-constructed performance and his own vision that lies within the music and the narrative, and is seen as German expressionism-like nightmares.
