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Kidlat De Guia

Acting

Known For

Who Invented The Yoyo? Who Invented The Moon Buggy?
7.5

Stuck in the German lands of “Yodelburg,” our hero Kidlat dreams of space and muses on humanity’s endless capacity for creativity, whether on the moon or at home in the Philippines. A delightful, self-proclaimed “third-world space spectacle.”

Who Invented The Yoyo? Who Invented The Moon Buggy?

1979
Shaman Showman: The Life and Work of Roberto Villanueva
N/A

A documentary film by filmmaker couple Egay Navarro and Rica Concepcion. It focuses on the life of Baguio artist Roberto Villanueva, known for his distinct approach to artmaking that included community participation.

Shaman Showman: The Life and Work of Roberto Villanueva

Balikbayan #1: Memories of Overdevelopment Redux III
N/A

Magellan, the famous navigator, met his untimely death in the Philippines before he could circumnavigate the globe. Ironically, it was his slave and translator Enrique who most likely was the first to achieve the historic feat.

Balikbayan #1: Memories of Overdevelopment Redux III

2015
Japanese Summers of a Filipino Fundoshi
8.0

Kidlat Tahimik, a director and performer, sought to recreate relations between the body and filmed image seen through "Asian eyes." This groundbreaking project took the form of a documentary which Mr. Tahimik directed and in which he performed himself in order to show his own thinking about the different views of the body held by the "East" and the "West."

Japanese Summers of a Filipino Fundoshi

1996
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N/A

For generations, the rugged slopes of Hapao stood as an unyielding fortress against colonial conquest—until the quiet invasion of modernity began to seep in. The Ifugao people, guardians of a time-honored rice culture and masters of intricate woodcraft, now find themselves at a crossroads. As waves of tourists spill in from the gateway city, ancient traditions begin to fade like carvings left to weather. The elders who once held the stories are vanishing, while the youth drift toward apathy. In the face of this cultural unraveling, the tribe mounts an unexpected resistance—not with spears or shields, but with cameras. Kidlat de Guia’s Tribal Videos is both an archive and an alarm: a tapestry of grassroots filmmaking that captures not just what remains, but what must endure.

Tribal Videos

2001