Ignacio Solorzano

When a robbery goes wrong, the thief takes a singer as hostage, they fall in love and try to rebuild their lives, but tragedy surges in the most unexpected way.

A couple suffers marital crisis, because they cannot have children. The wife harbors a long kept secret that might doom the marriage.

A man goes on a trip and then returns to his village pretending that everything went well for him.

Father and two sons raise hell at the county fair.

A worker overwhelmed by the economic crisis and the cost of living is accidentally propaganda of a political party, apparently from left, who convinces him to join their ranks and defending the working class. After entering through a ritual as mysterious as typical, you will realize demagoguery and arrangements existing between union leaders to maintain the status quo unchanged and profit from mafia practices.

Written by future Nobel-prize winner Gabriel García Márquez, this is the story of Patsy, a wealthy debutante with an acute sense of living and boundless curiosity. She falls in love with an older man (Julio Alemán) whom is married and mediocre, and thus learns the hard way about unhappiness, marring her rose colored world.

This Mexican melodrama may have been released above the border as After the Storm. The principal characters are a pair of twin lighthouse keepers. They try their best to live together with their wives under the same roof, but the delicate balance is shattered when one of the brothers falls in love with his sister-in-law. When one twin is lost during a storm, the other assumes his identity, with the expected romantic complications. If Despues de la Termenta sounds familiar, it is because the screenplay was inspired by the 1946 Bette Davis vehicle A Stolen Life.