Raul Domingues

Maria starts to show signs of wanting to belong somewhere else: scales appear on her skin, roots appear on her legs, and she hears the sound of water - she dreams of being a fish. One day her daughter comes across her disappearance and reconstructs, through the memory of her gestures and meetings with her mother, a possible explanation for her escape.

Cláudia Ribeiro spent seven months – since the time of plantation till the crops – capturing the work in the fields of the sisters Ana e Glória, in Passinhos de Cima, between the rivers Douro and Tâmega. It is an isolated place, where the baker, the fish seller, the grocer and their sons visit once a week. This a film on a way of life, the subsistence agriculture, but also about the humour and the ironies of representation and hospitality.

In 2020, unable to travel, Ico Costa left a small camera with Ailucha and Domy, two young Mozambicans from the city of Inhambane, and asked them to film their daily lives. The result: working, playing, walking, hanging around, smoking, listening to music, singing, dancing, feeling desire – being teenagers.

In this film people appear, but only as one factor amongst others. Callused hands sow, weed, build and rake; stooped backs bring in the harvest.

Antonio runs away from home and tries to spend the night at his ex-girlfriend's apartment. There he finds a brazilian girl, an unexpected guest. Johnny is struggling to stage his first theater play in Lisbon. His friendship with the young light technician will make him face his real problems. Débora is passing by, finally returning home. When she goes to the theater, she falls asleep, and is awaken by the protagonist. Three dimensions of the same story.

Balane 3 is a neighbourhood in Inhambane. Inhambane is a city in Mozambique. Mozambique is a country in Africa. Africa is not just what you see on TV. In other words, Balane 3 is a documentary about the lives and times of the inhabitants of Inhambane, a city in the south of Mozambique. Like any other people in the world, the characters in this film work as car washers, fishermend or butchers, they go to school, hospitals, barbershops and street markets, they drink and dance at night, they talk about diseases, politics, friends, love and sex. They talk a lot about sex.

In the heart of Bairro Alto, right in the centre of Lisbon, the building of an old printing workshop is demolished to make way for luxury apartments. Seeing this as a perfect image for the death of a certain Lisbon in the wake of the financial crisis and the ensuing real estate and touristic boom, the director films an urban diary portraying the daily life of the construction site and those who work there. What starts out as a work-centred film turns out to be the story of the director’s relationship with his hometown and with the people who build it.

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Domingos and Neusia are a young couple from a small city in Mozambique. She goes to school, he has an underpaid job at a car wash. Yearning for a better life, Domingos sets on a journey through Mozambique, heading to the gold mines in the north of the country. In the meantime, Neusia waits at home.

A dive into the heart of Timkat, a fascinating purification ritual in which moments of joy, trance and religious devotion reveal a certain pride in national identity.

“Prune me in January Tie me up in February Dig me up in March And you’ll see what I’ll do to you.”

João arrives in a city unknown to him to replace his father in the visits to his hospitalized mother. He discovers that he will have to sleep in the car at the same time he finds out that his parents are counting on him in the adult life that is also his.

Several women in their seasonal work as fire watchers in Portugal. The film comes close to their breathing, to the passing of time and to solitude, from within.