Directing
It's midwinter in Minneapolis, and rock musician Thomas (Shane Barach) can't seem to commit to girlfriend Jessica (Lara Miklasevics). At a local coffee shop, he runs into Sabina (Rose Mailutha), whom he knows casually from the club scene, and a relationship develops. But responsibilities lurk in the background since he needs to find work, and she must take care of her young son. With a naturalistic style, filmed in 16mm black-and-white, the film recalls Shadows (1959) an independent films of the early '60s.
Story of a young Minnesota woman called Claire and her relationships with two men, one of them the cook where she works as a waitress.
How can two people save the world? Love each other. On Thanksgiving Day, two Minneapolis filmmakers--the son of a Somali imam and daughter of a white Baptist preacher--fall in love through their lenses and discover that their lives and families are mirror images. With empathy and humour, FIRST PERSON PLURAL shows two families--one Muslim, one Christian--grappling with doubt and imperfection to discover their common conflicts of love and faith.
Afraid of her imminent success, Bettina, the leader of a threadbare garage band, nearly destroys herself when she returns to Minneapolis to the husband and child she left behind.
When a young high school shop teacher buys her first motorcycle with her wedding dress money, she motors away from her controlling fiance into a circle of motorcycle friends who are attracted but threatened by her newfound independence. As Kat learns to ride, her new friends vie for her affection, stirring jealousy and long-buried emotions. In her quest, Kat must negotiate the difficult path of the novice and interpret the advice of her teachers. Is it a subtle form of control? Or crucial knowledge, without which she might get herself killed?
A Mod record store girl named Gigi comically shatters her strict notions of love and fidelity during the summer of her first heartbreak.