Arlete Dias

Henry Czerny plays American journalist Michael Coleman, a strung-out expatriate writing for a Brazilian newspaper. His professional obsession is Father Stephen Louis, a mildly popular and charismatic priest who has been the major political opponent of the greedy and ruthless landowners of the Bahia region. Mysteriously, the usually outspoken Father Louis has been silent for three months. With the Brazilian Congress about to vote on a major land-redistribution bill that could potentially tip the balance of power even further, Father Louis’s support of the peasants and his condemnation of the landowners is more important than ever. Coleman sets out alone for the politically unstable Bahia region to capture a highly anticipated interview with the elusive priest.

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Brazil, 2030. The sisters Alayr and Sabrina are hearing on the cell radio the judgment that could change the course of a country "without energy". They are surprised by Fátima, the sister who returns from the dead to fraternize on this historic night.

Five friends drink beer and chat at Violeta's house. Bit by bit, their stories of love, loss and suffering are told, revealing the acts of love and friendship that helped them through the hardest times of their lives.

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Emerson and his friend Thacle kidnap Henrique, a famous brazilian filmmaker, in order to get his help in the making of a movie on their home island.

Geralda's father is admitted to the hospital and he can die at any time. This painful expectation forces an interaction between her and the three sisters who have not seen each other since her mother's death in a long time.

In the outskirts of Salvador, lives Lila, a dreamy girl who loves to create and tell stories. Between her mother's advice and ear-pulling and her brother's restlessness, Lila finds herself faced with doubt: What will she be when she grows up?! In this conflict, the little girl, who dreams of being able to fly, ventures into an enchanting fantasy and glides through the skies, as if she were made of clouds and dreams.

Júlio was raised only by his mother. Now, at the age of twenty, he discovers that it will be his turn to be a father, and that's why he decides to go after the father he's never seen.

The documentary investigates the first steps of artistic resistance by the black actresses from Bahia of the Bando de Teatro Olodum group, which emerged in the 90's, and redefines, through documentary and fictional procedures, the contrast between official discourses and oral discourses from the perspective of these women.