Writing
Los exitosos Pells is a 2008-2009 Argentine telenovela, produced by Underground Producciones and Endemol, and aired by Telefe. It started being aired on November 5, 2008, replacing Vidas Robadas at 10:30PM. After a pair of schedule changes, it returned to 10:30PM until its end on July 15, 2009. The story is about a successful couple of TV hosts from a news channel, MartĂn Pells and Sol Casenave. In the first episode MartĂn Pells falls into a coma, and the CEO of the channel hires an underground actor, Gonzalo Echague, who happens to be extremely similar to Pells, to replace him. Such replacement is done not only for the TV but also with friends and relatives, in order that nobody suspects the absence of the real Pells. Gonzalo, acting as Martin, discovers that Martin and Sol had broken up long ago and were only acting as a happy couple for the television cameras. In reality, Sol had another lover which she hid from the public, and Martin had a homosexual relationship with the son of the CEO of the channel. Nevertheless, Gonzalo falls in love with Sol, and the main storyline of the soap opera involves his attempts to build a relationship with her.
Los Exitosos Perez is the adaptation for Mexico of the Argentine telenovela Los Exitosos Pells. It's a co-production of Endemol and Telefe. Mexican producer José Alberto Castro acts as it executive producer. With a mixed cast of mostly Mexican and Argentinian actors, and a few from other nationalities, it was filmed on location in Argentina, in exactly the same sets used in the original Argentinian counterpart. It premiered in Mexico on 31 August 2009 on the Televisa network.
En Terapia is a 2012 Argentine remake of In Treatment. The main actors of the 2012 season are Diego Peretti, Julieta Cardinali, Germán Palacios, AilĂn Salas, Dolores Fonzi, Leonardo Sbaraglia and Norma Aleandro. The second season added Carla Peterson, Gonzalo Slipak, Roberto Carnaghi and Luisana Lopilato.
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Juan's life changes when he discovers his best friend sleeping with his wife, the mother of his children. Unwilling to accept losing everything, he puts into practice the 50 daily tips from a manual that offers advice on how to be happy.
After Eva Perón’s death in 1952, her corpse is held for three years awaiting the construction of a mausoleum — a resting place that would never be built. In 1955, the military seized control of Argentina and hid Perón’s body from the public, fearing that it would unite the country against them. But they never imagined that in doing so she would become more dangerous in death than she was in life.
Irene is a magazine editor living under the shadow of the Pinochet dictatorship in Chile. Francisco is a handsome photographer and he comes to Irene for a job. As a sympathizer with the underground resistance movement, Francisco opens her eyes and her heart to the atrocities being committed by the state.
This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.
Sol Negro was an Argentine television miniseries that aired on the América TV channel in late 2003. The plot focuses on the story of a young man who is admitted to a neuropsychiatric hospital to evade prison, and revolves around his insertion in the circle of inmates of the hospital and a complicity network to take away his share of a family inheritance.
It tells the story of three characters: a young woman who works at a dry cleaner, a father who leaves prison and the Salvation Army, and an old woman.
In each episode, which takes place independently of each other, commissioners JimĂ©nez (Luis Luque) and Laurenzi (DarĂo Grandinetti) must solve different police cases that will be presented to them and will be a challenge for them, for which they will receive the help of the editor literary Daniel Hernández (Nicolás CabrĂ©) who is looking to write a book about crimes.
It tells the story of Marcos and Ana, who have been married for more than 25 years, but enter into an existential crisis that leads them to separate. The life of singles seems fascinating and exciting at first, but soon it also becomes monotonous for her and nightmarish for him.
"For her next movie, De eso no se habla, MarĂa Luisa Bemberg needs a dwarf". That was an ad on local media during preproduction of the movie that would become the last od the director. Among the peoplewho responded the ad was Alejandra Podestá, who ended up getting the leading role along Marcello Mastroianni. Through testimonies of varios friends, members of the crew and the words by Alejandra herself, who was brutally murdered in 2011, A Beautiful Dream tells us the story of the making of the film and the relationship between Bemberg and Podestá, which winds up being a tribute to both women.
Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.
This special will lift the curtain to showcase the work of both onscreen and offscreen talent behind the Star+ original series, “Santa Evita.” Exclusive interviews and footage will transport viewers backstage as they learn how the directors, writers, actors and actresses, and the production team brought Tomás Eloy MartĂnez’s novel to the small screen.
A 17th-century Mexican nun defies expectations by becoming a renowned intellectual and writer during the Spanish Inquisition.
Years passed, and China Zorrilla's artistic children never met again. Her death closed an era. What remains in our memory is the jazz of her inventions and the legacy of an artist who forged new paths, amidst both delusions and prohibitions.
In an Argentine village in the 1930s, the willful Leonor discovers that her beloved daughter, Charlotte, has dwarfism. Attempting to let her have as normal a childhood as possible, Leonor never discusses Charlotte's lack of stature, nor lets anyone else in the village ever mention it. As Charlotte grows up into a smart and self-possessed young woman, local eccentric Ludovico, who collects miniatures, becomes smitten with her.
MarĂa Luisa Bemberg was born into the highest echelons of Argentina’s society. Her family founded Quilmes, the nation’s biggest brewery, which expanded into a multinational. Bemberg, home-schooled by the best teachers and tutors, grew up in a social bubble. And she never made a secret of this, in as far as many of her films are set in the upper classes of different eras and narrate the politics of their respective periods through the prism of female opportunity, or the lack thereof – what could a woman do, behaviour in extramarital affairs included? Class, more often than not, was a trap, even if it might offer opportunities that many are denied. With MarĂa Luisa Bemberg: El eco de mi voz, Alejandro Maci paints a detailed and multifaceted picture of Argentina’s greatest female filmmaker, in which family and colleagues get their say as much as Bemberg herself, thanks to myriads of private and public recordings.
