Vladimír Ondruš

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This five-part TV film tells the story of Jan Daňo, a shepherd, and his two daughters.

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The story of a peasant whose harshness and bluntness only provoke disputes and anger, and his honesty and sense of truth and honor in conjunction with the previous qualities only exacerbate these disputes. The Slovak village with its collective farming, confronted with the habits of a square nature, raised by private farming, creates the main plot and conflict. In parallel, there is a lyrical motif of the young generation, whose love relationships do not care about the old ridiculous anger of the old generation.

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Two Sebechleby musicians, Peter and Jakub, and their guardian Klimo set out in the mid-17th century to rescue the noblewoman Dóciová, abducted by Ottoman raiders into Istanbul. Lacking language skills and guidance, they rely on courage, wit and their newly enchanted instruments to overcome dangers.

A young Polish deserter and gifted organist finds shelter from the fascists in a Slovak Franciscan monastery. He find himself in conflict with the local organist and choir leader, a man limited in his world views and spiritual values.

A dramatic story from the end of WW II and a remarkable contemplation of the value of true friendship, meaning and purpose oflife or the possibility to be humane even in inhuma ne conditions. In a frosty mountain setting a cruel struggle for life takes place. After a fight, two partisans return to their brigade carrying along a young German soldier as a captive. But suddenly, amidst the hopelessness of barren mountains. all protagonists find themselves in a liminal existential situation.

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As unbelievable as it sounds, a stint in prison can really fix things. The old seasoned pickpocket will serve many years before he is released, but he comes out a changed man. He even dares to refuse the lures and threats of an all-powerful criminal gang to cooperate with him.

A story set in Tsarist Russia, set in a manor house. The main character is the mute Gerasim, who lives in a touching friendship with his dog Mumu. The dramatic plot is based on the petty intrigues of people from his environment.

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This is a ballad about love, hate, and a search for a way out of loneliness. It is a dramatic story about the strange potter, Martin Leaps, nicknamed Dragon, who is suspected by the villagers as the cause of natural disasters. He lost his wife, his home, and his freedom due to false accusations. After years he returns to his native village. Putting his own life to risk, he saves a herd of cows from a forest fire in the hills. But not even this heroic deed helps him to win back the friendship of the locals.

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Two female clerks using up their savings to enjoy a few days of carefree life, two plumbers looking for an erotic adventure, a building contractor determined to drink away all wages of his workers and a former major who became an alcoholic due to political persecution — these people meet in a ski resort bar somewhere in the High Tatras. During one night they gradually reveal their unfulfilled dreams, illusions and disappointments of ”average" people of those times.

Mr. Ctibor once worked as a hotel valet, and although he is retired, he is still eager to prove that he is needed. He thinks he has once again been given the opportunity to intervene in the interests of both the guest and the hotel's reputation, as he wants to prevent the reported suicide of one of the guests. However, the mix-up of room numbers is fatal not only for old Ctibor, but also for the guest in room 32. Ctibor's efforts prove futile, because he mixed up the room numbers and protected someone who didn't need it at all...

The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.