Amirreza Ranjbaran

Bahram is a 40-year-old filmmaker who’s spent his entire career making films in Turkish-Azeri, none of which have ever been screened in Iran. His latest work, once again denied permission by the Ministry of culture, pushes him to the edge of defiance. With his sharp-tongued, Vespa-riding producer Sadaf by his side, he embarks on an underground mission to showcase his film to an Iranian audience, dodging government censors, absurd bureaucracy, and his own self- doubts.

A school teacher from Tehran is preparing to attend a wedding in northern Iran. When her husband suddenly forbids her to go, she makes a choice that will place her on a painful path to atonement.

Lantouri is the name of a gang that mugs people in broad daylight on the streets of Tehran and breaks into homes in the city’s rich northern district. The gang also kidnaps children from families who have become wealthy through corruption and embezzlement of state funds. The film begins with the confessions of individual gang members. Sociologists, human rights activists and political hardliners also have their say. Gang member Pasha runs amok because Maryam, a socially committed, self-confident journalist, does not reciprocate his feelings. The badly injured young woman demands lex talionis – the law, applicable in Iran, of ‘an eye for an eye’.

On a cold winter’s night in modern Tehran, a couple of young lovers run into a serious problem, and they have just a few hours to come up with a solution. They go from hospital to hospital in search for help, but none of the hospitals will admit the young woman and provide her with the medical attention she desperately requires. While they try hard to find a way to solve the problem, they have to hide what is happening from their parents. Moreover, their relationship is facing a crisis and will suffer dire consequences. Caught between conservative traditions and modern day desires, the couple must face their uncertain future.

A trans man and his partner travel to a remote Iranian village to face his estranged father and obtain documents that would permit them to live authentically, in visionary director Farnoosh Samadi’s bold queer love story.

A complex and sometimes combative exchange at an Iranian broadcaster over a certain Hollywood blockbuster disguises deeper ruptures, in Farnoosh Samadi’s wry and subtly provocative drama.

Student Fereshteh has to hide her illegitimate baby for one night from her parents who turn up for a surprise visit. Her friend Atefeh helps her. They embark on an odyssey through Tehran during which they must carefully weigh up who their allies are.

A woman accompanies her husband for an audition. The thing that happens there leads her for an important decision...

On her way back from work, a woman witnesses something happening in the bus. She must decide if she will reveal it or not.

Rona and Hamed are two young Afghans who are in love with each other. Searching for a better life, they have decided to immigrate to Europe but they have to make a big decision to make it happen, a decision that relates to their religion and beliefs.

One night in a supermarket, an Afghan male salesman named Elias encounters a friend or acquaintance named Mohsen. Mohsen has a strange request from him. He brings a drunk woman with him from a party somewhere and asks Elias to take her behind the store, but Elias refuses to respond to this request.