François Guérif

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Anthony Perkins’ face and name remain familiar to a younger 21st century audience, fond of giallo and slashers. But he has long struggled in the shadow of his most famous character, Norman Bates – the young man in Alfred Hitchcock’s masterpiece, “Psycho". We also discover that he was an amazing crooner. His greatest success, “Moonlight Swim”, will be taken up by Elvis Presley. He even directed “Psycho III” – proof of his reconciliation with his favorite bogeyman.

A wife finds her life transformed after a torrid affair in this story of murder. Katia is a rather dull young woman who types manuscripts for Irina, her husband’s mother and successful writer of romance novels. Katia’s husband is a real momma’s boy. They go to Irina’s summer house to work. There Katia encounters the intense and sexy Serguei who creates passionate longings with in her. Overcome she and Serguei engage in vigorous love-making upon a windowsill where Irina sees them. Irina has a weak heart. Quiet Katia, having rediscovered the joys of sex, changes and becomes more assertive and flighty. Serguei quickly loses interest in her. Strange and deadly things begin happening at the summer house which calls the attention of a judge who is extremely familiar with Irina’s writing.

After fatally shooting a stalker, Parisian bar-maid Lea must live the life of the title reptile. At the time of the killing she was living with Francis, a much older American ex-con. After committing the murder, the fleeing and frightened Lea is saved by Paris paper boys Jean and Luc. Later she tells her sad story to hard-drinking Moskowitz, a middle-aged cop who secretly desires her. His unrequited love leads to tragedy. Meanwhile, Lea continues living with Francis, but also shacks up with Luc while trying to avoid the jealous cop.

An account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.

With his popular culture, prolific imagination, and verbal alchemy, Michel Audiard revolutionized cinema in the 1950s and 1960s. Alongside his mentor and friend Jean Gabin, his writing partner Albert Simonin, and his favorite actors Bernard Blier, Lino Ventura, and Michel Serrault, we find his verve and innate sense of repartee, which alone reflect the spirit of the French people and language. From elegance to cheekiness, cynicism to tenderness, he made words speak like no one else. Between the expressions he stole from bar counters to refine them and his encyclopedic knowledge of French culture, he created a unique style and ranks alongside Prévert and Jeanson as one of the greatest dialogue writers in French cinema.

Created in 1966 by Jean-Marie Rodon and Jean-Max Causse, the Action cinemas has succeeded in establishing itself as the leading group for the distribution of classic cinema in the world.

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Documentary about Time to Die

Francois Guerif talks about Losey’s M.