Charles Müller

The film consists of three novels. The film begins with the fact that the Bernard Blier hero removes a lantern from the entrance to a brothel. The second part is about how the lantern and jewelery were stolen from a young baroness. And in the third part the hero of Louis de Funes hangs a lantern at the entrance to his house.

Single mother Elaine is disturbed by her son Martin's aggressive behaviour, she visits his late father's estranged family in small-town Luxembourg, which hides a much darker nature. When she realizes that Martin could become like them, Elaine is forced into a desperate fight for her son's future.

After ten years abroad, Catherine returns to Luxembourg, to catch up with her daughter Alba, brought up by Catherine’s mother Elisabeth. Alba is cold and distant with this stranger showing up unexpectedly in her life, so is Elisabeth, keen to keep her protégée to herself. One day, Catherine cannot take it anymore. She kidnaps Alba and takes her on a trip to a lake up North. Begins an unsettling journey into the puzzling world of motherly love, only to find out that sometimes the true opponent is yourself.

Ronnie lives in a small sleepy village and is the owner of a small company for deep-frozen goods. Daydreams, contact ads, the firemen's brassband, the weekly visits at his shrink and his buddy Lars' cynical remarks about air guitar and vinyl-records are the highlights of Ronnie's life. Already, as a kid, he suffered from being under the pressure of his power- and manhood-fixed mother. Ronnie's feelings are as deep-frozen as his goods. Until the day, a wonderful being - one of the female kind - strands in the village. The local priest hires the young girl, a groupie with the name of Zoya, as housekeeper and within days, Zoya turns the whole manship of the village mad and horny. Also Ronnie falls for Zoya and, well yes, lucky for once, marries her. However, since the presence of Zoya, strange things have happened in the village. Everybody who tries to search in Zoya's unkown past dies, disappears. Slowly that well-known fear sneaks into Ronnie's body: men's fear of women.

A crime writer on a train to Berlin shares her compartment with a mysterious man who claims to be a cannibal. Initially intrigued, she tries to humorously dismiss his claim while her imagination sparks a new novel featuring Detective Rosa Roth, who investigates a similar case. As the journey progresses, the writer’s confidence fades, replaced by fear and mistrust. The man’s behaviour becomes more unsettling, especially after a young girl reports inappropriate comments from him. In the dining car, he claims to have eaten a fellow passenger and reveals his tools are nearby. Despite her fear, the writer is drawn to learn more about his methods, blurring the lines between her novel and reality. Ultimately, her fantasy merges with reality, leading to dire consequences.