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Mauro Santopietro

Mauro Santopietro

Acting

Known For

Father Matteo
6.3

Don Matteo is a thoroughly ordinary Catholic priest with an extraordinary ability to read people and solve crimes. He’s a parish priest who never met an unjustly accused person he didn’t want to help.

Father Matteo

2000
Romanzo Criminale: The Series
8.2

Love, business, anxieties, friendships, feuds, and resentments paint the picture of the main story, that of a group of criminals who for nearly fifteen years, from 1977 to 1992, cherished an illusion: that of conquering Rome. The Lebanese, Freddo, Dandi, Patrizia, and Commissioner Scialoja are some of the characters inspired by the true story of the Magliana gang. As stated by Aldo Grasso, the first season of the series gives more space to the crime scene, that is, the criminal exploits of the Magliana gang, while the second season delves deeper into the "behind the scenes" of the crime: thus, the gang's repositioning after a key plot event, and the effects and questions this has provoked in the protagonists' consciences.

Romanzo Criminale: The Series

2008
Something New
5.7

Lucia and Maria are two best friends, who have known each other from the beginning of their life, but have very different tastes and behaviors. Lucia is done with men, Maria, on the contrary, cannot be without one. One night, the perfect man shows up in Maria's bed: handsome, sensible, mature and passionate.The next morning brings up misunderstandings and lies which make the two friends split up and take a break for themselves. Maybe that young man met by chance is really the one every woman is looking for, because with his simple theories he manages to paint the perfect picture of the two women's lives.

Something New

2016
Caravaggio
5.6

The tumultuous and adventurous life of Michelangelo Merisi, controversial artist, called by Fate to become the immortal Caravaggio. A violent genius that will dare to defy the ideal vision of the world imposed by the Renaissance painters. A provoker that scandalized patrons and institutions, raising the altars the outcast figures he knew so well: drunkards, vagrants and prostitutes.

Caravaggio

2007