Alessandro Bardani

Love, business, anxieties, friendships, feuds, and resentments paint the picture of the main story, that of a group of criminals who for nearly fifteen years, from 1977 to 1992, cherished an illusion: that of conquering Rome. The Lebanese, Freddo, Dandi, Patrizia, and Commissioner Scialoja are some of the characters inspired by the true story of the Magliana gang. As stated by Aldo Grasso, the first season of the series gives more space to the crime scene, that is, the criminal exploits of the Magliana gang, while the second season delves deeper into the "behind the scenes" of the crime: thus, the gang's repositioning after a key plot event, and the effects and questions this has provoked in the protagonists' consciences.

No description available.

Friedberg/Seltzer-like spoof about popular Italian teen romance movies of the aughts (such as Tre metri sopra il cielo, Come tu mi vuoi, Ho voglia di te, Notte prima degli esami, Melissa P., etc).

An absurd law prevents John, an unrecognized child at birth, from knowing the identity of his biological parents before his 100th birthday. To succeed in attracting public opinion, his only hope is to obtain the complicity of Gustavo, the only unrecognized-at-birth centenarian alive. The only one who would have the right to avail himself of this legislation but seems to have no interest in doing so. The Most Beautiful Century of My Life tells of the meeting between a centenarian projected into the future and a young man anchored in the past and of their unexpected friendship.

The Russian magnate Ivanov dreams about having The Popcorn, his favorite Italian musical band from the 80s in Saint Petersburg.

Cesare Proietti is the esteemed manager of the Relais Colombo, a luxury hotel in Milan. When a group of new Chinese business partners want to revolutionize everything, the hotel owner's daughter, Luciana, decides to fire Cesare. When Cesare discovers Luciana is looking for a caregiver who can look after her father, he decides to dress up as a charming woman to apply for the role.

Giacomo, the main character, 35 years of laziness, is a man who doesn't know and doesn't want to fight. He is a introvert curmudgeon, a little bit nerd but not very social, who walks with the look downward on his device without giving to the people what they would like from him: only a little bit of attention and enthusiasm. He loses his job, he is left by his wife and coincidentally he remains closed in the women's bathroom of the art-house cinema, together with the owner's small dog.

No description available.

A young Palestinian, lost in the suburbs of Rome, decides to ask the local elderly Italian man for the right way.