Rick Raxlen

This feature film is an exotic romp through the ’60s in song and dance. A fantasy that pokes fun not only at some hallowed institutions but at itself as well.

This short, impressionistic film takes us to Nigeria, Japan, Mexico and India, where craftsmen work clay to produce ritual vessels and everyday objects.

Reflections of a man who as a young boy spent his summers in a small Canadian town.

A fanciful story, done in paper cut-outs, of a boy's journey through the skies on the tail of a kite. He soars high above the earth, encountering birds, aeroplanes, the stars, a spaceship and other heavenly bodies before floating back to his starting point. An animated film for children. Film without words.

A portrait of male mid-life crisis as told through the story of a frustrated poetry teacher--and sometime madcap radio deejay--who's fond memories of watching Roy Rogers on TV is activated when an old childhood buddy drops in for a visit.

A film mingling documentary and dramatic elements to portray the effects of the threat of chemical and biological warfare on the contemporary mentality. The chemist who manufactures the secret weapons, the scientist who comments on them with complete detachment, the soldier of the First World War, killed by poison gas, who returns to life to discover the manner of his dying--all make their claims on the audience in an arresting, provocative way.

"Think Before You Think" is a portrait of film poet, animator and artist Rick Raxlen. Shot on 16mm film and digital video at his Victoria, BC home and studio over the course of a year, the film follows Raxlen’s daily practice, uncovering the rituals and gestures of a creative process. Mining the highly specific and personal nature of this life-sized project, excerpts from Raxlen’s films, drawings, paintings and mark-making from a 50+ year art practice combine with hand-processed and manipulated film materials to play off the rites and relaxed rigour of his unique approach to making a life.

Raxlen's hand-drawn animation sits in with Oscar Peterson.

"I am sent to camp as a nine year old. I cannot swim, and my parents have gone to Europe for six weeks! It is 1954, and I have not been away from home much…so I refuse to swim, and fish off the dock. My mother writes in her trip book. It is the only book she will write. I catch a big fish. The camp director takes my picture… They should have taken me to Europe with them. I would have behaved." –R.R.

In the dark winter of 1995, Linda Giles, a Victoria-based installation artist, had a show at the old XChanges Gallery on North Park Street, in Vancouver. Before the show came down, Suzy Raxlen donned her black tutu and inked her sensitive hands with the printers ink that she plied in her trade as a master printer. She moved through the gallery of white veils, acting out a minimalist dance of thwarted desire, repression and frustration...

The re-animation via rotoscope of parts of Bud Fischers SLICK SLEUTHS (1928) into a loopform.

This video is a collage of images that takes the viewer down a path between their own virtue and cosmic morality. A quiet anxiety emerges as the strip explores the non-mathematical possibilities of the violent destruction of matter, as well as the habits into which people seem to push their fellows.

A one-minute animation treat that celebrates the art of sound poetry as Christian Bök recites words from Hugo Ball, one of the leading pioneers of phonetic poetry.

An intriguing inside-out view of moving figures and images, made by using a color negative print. Figures and faces appear in a shimmering haze. These are shades of people and of movements, appearing, retreating, as in a mirage.

A biology lab circa 1920, becomes colourized as the camera engages in a number of pans past strange forms in bottles and under glass. This is the basis for a formalist exploration of shape, colour and tonal loops on the sound track.

Hula dancing. Animation; mixed media.

Described as "the jauntiest meat-is-murder movie ever made" and "irrational," "Deadpan" deals with dinner-table angst from the fifties. Laughter is forbidden. Anxiety reigns. Cow tongue is served. What to do?

A short, sweet tape. Kind of painterly in its use of camera as it moves in a fluid way over a set that consists of a white picket fence, a plastic goose and hen, plastic, larger-than-life daisies, and some miscellaneous electronic gismos.

1930's found-footage, slowed down with original music.

"Mutt and Jeff meet Felix in a battle for the letter "U". Using old black and white cartoons and contact-printed 35 mm film that I scratched on, I combined the three elements into a primordial soup." Rick Raxlen