Directing
Follows two people whose unexpected reunion stirs long-buried feelings and unspoken uncertainties about love, time and reinvention.
An idealistic film student is drawn into a shadowy and intoxicating world when she befriends an enigmatic performance artist.
Two brothers kill time in a series of ambiguous vignettes that create a mood both playful and unnerving, taking us through the looking glass of middle-class Australia.
Emily longs for an expensive, exquisite silk dress. It’s silly to spend so much money on things, but what is life without plain ordinary pleasures?
Milena travels to a remote opal mining community to see her estranged, ill father. Lost and alone, she falls into his bewildering world, where men escape society and share ideals of freedom. Soon, he doesn’t want her to leave. Stuck in time, father and daughter try to mend their fractured bond, but their connection is fragile, like the strange, colourful gems he digs up from the earth.
An insight into the lives of the miners who search for Australia’s famous black opals.
Diving into dreams of transcendence, Argonautica, Jason and Medea, cruel love, big deity energy, mythical murderesses, possible worlds, open windows.
Hannah walks through the city, observing people and objects, searching for something, looking at delicious pastries. She is on her way to an appointment with a tarot reader and inside and house space unfolds like the walls of a dream, only to reveal a pair of rummaging thieves. Alone, Hannah is entering a mystery and the clues are sparse and uncertain. She floats like a jellyfish, but perhaps there is no such thing.
