Directing
Canis Majoris is a short science fiction gay film about affection and adolescence that takes place in the peripheral cities of the Federal District, in Brazil. Icaro is a Brazilian teenager who tries to fill his time to kill boredom on vacation. During the summer vacation, returning from a football match, he meets Joao. Together they witness the appearance of a new star in the sky, which makes the nights on Earth red and hot. Trying to cope with the fact that they are growing, with the tedium and the extra heat this summer, Icaro and Joao begin to spend nights together in the streets of the city and discover that, in addition to the star, something is emerging between them.
In UnB (University of Brasilia), plurality is a primal thing, and that will determinate which way a group of friend can tread along their graduation. In a time full of decisions, how everyone will deal with romances and personal dramas?
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A man finds hilmself guilty from everything.
Two couples discovering new emotions, touching and deflating feelings. When is one love enough? And how can this love be enough?
Amid the pandemic lockdown, a mother and her daughter find themselves forced to confront a claustrophobic reality. The arrival of an enigmatic cat triggers a series of unsettling events, blurring the line between reality and imagination, and unveiling a tense interplay of psychology and emotional fragility
Lucas struggles to be adopted and spends his days being teased by the other children. His only friend is music, but that changes when he meets Marina, a girl who claims to come from another planet.
For decades, Brasilia was the stage of an iconic radio station. On its last day on the air, the few but captive listeners did not know that it was the end.
An affectionate conversation about the life and work of one of Brazil's greatest documentarians. Vladimir Carvalho opens the doors of CinememĂłria to Marcia Zarur's crew. Generously, he shares every detail of the Cinema Museum: pieces and equipment carefully collected over more than half a century. These objects tell the story of cinema in BrasĂlia, Brazil, and the world, and, above all, reflect a lifelong passion for the art of filmmaking. The short film offers a joyful and lighthearted account, which turned out to be the filmmaker's final interview. Vladimir Carvalho suffered a heart attack an hour after the team left the site and passed away two weeks later.