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Rajiv Mehrotra

Production

Known For

Shaadi, Sex aur Parivaar
N/A

The documentary short film observes the institution of marriage through the perspective of three brides in India.

Shaadi, Sex aur Parivaar

2016
Adoor: A Journey in Frames
N/A

Adoor Gopalakrishnan’s films map the history of the region from the inside. This Documentary looks at how the filmmaker dealt with human conditions at the most elemental level with a sensibility that makes his films universal in appeal.

Adoor: A Journey in Frames

2015
No image
N/A

The many facets of the land and the life of a farmer from Kuttanad, tucked away between the sea and the backwaters and hidden in the shadows of coconut palms

A Farmer from Kuttanad

2012
Only if the Baby Cries...
N/A

In the world's only deaf-mute village where silence reigns, tension mounts as Misra Khatoon approaches childbirth. The villagers surround her home and beat drums seeking a response from the newborn.

Only if the Baby Cries...

2024
My Mirror is the Door
N/A

The ten anthologies and eight long poems of the Sangam age are the oldest and most distinguished body of secular poetry extant in India, of which women poets were a very strong presence.

My Mirror is the Door

2012
Mic Drop
N/A

In a region where the native language is often overlooked, a young Bundelkhandi rapper works tirelessly on his first album. As he faces financial struggles and a lack of resources, the question remains: will he be able to make it and at what cost?

Mic Drop

2024
What the Fields Remember
6.0

The Film revisits the event, when 1800 Bengali Muslims were killed in Nellie and surrounding villages in Assam. It is an exploration of how the survivors remember the violence, over three decades later, and how the spaces that witnessed this violence continue to mark people’s relationship to history and memory.

What the Fields Remember

Squeeze Lime in Your Eye
N/A

Kaushik Mukhopadhyay assembles and pairs discarded and broken household gadgets into unexpected cyborg-like creatures that occupy the space between machine, toy and home. His objects are quirky, humorous and noisy which tend to break down sometimes. The Film brings to light these narratives of unexpectedness, embodying fragments of political, personal and art history.

Squeeze Lime in Your Eye

2018
A Drop of Sunshine
N/A

Schizophrenia. It may be one word, but it immediately conjures up multiple connotations. Mad. Incurable. Violent. Suicidal. Chemical imbalances. Crazy. A lifelong condition. Inevitable dependency on Medicines. Dark. Terrible. 'A Drop of Sunshine' challenges these notions. It questions the mainstream view of the condition and seeks alternate ways of recovering from it. Through the powerful story of its young and gutsy protagonist, Reshma Valiappan, it seeks to give viewers a new vocabulary to address the stigmatized mental illness. The film proposes that the only treatment method that can work in Schizophrenia is one where the so-called 'patient' is encouraged and empowered to become an equal partner in the process of healing.

A Drop of Sunshine

2011
Certified Universal
N/A

An impressionistic sketch of ‘the public’ as created by our cinema and its relationship with cinema itself.

Certified Universal

2009
The death of us
N/A

The debate on death penalty is loud and impassioned. Instead of echoing that cacophony, The Death of Us, quietly reflects on a range of cases in which the death penalty was pronounced. Sometimes, ending in the execution of the convicted; sometimes in commutation to a life sentence; and sometimes to acquittal and release. Speaking to some who have been on death row, and others closely involved with the cases, we engage in complex conversations on crime and punishment, revenge and justice, popular rhetoric and personal experiences. Only to find ourselves confronted by larger ethical and moral questions across time and space.

The death of us

2018
We Are Not What We See
N/A

In a dim, dusty room within Mumbai's Slums, locals gather as a film is projected, transporting those who enter into a realm offering solace from the relentless urban chaos. An exquisite examination of the rhythm and ambiance inside the exterminating alternative cinema space- the video parlors.

We Are Not What We See

P for Paparazzi
N/A

Aspiring to make it big in the page 3 industry, an established paparazzi Manoj takes his chance against fellow photographers in a race to capture the most sensational photos in order to battle the realities of life. Maithili language film.

P for Paparazzi

2024
My Grandfather's House
N/A

Alvina visits her late Grandfather’s House, on the 5th anniversary of his demise. She and her grandmother bond over their memories and affection towards him. As they spend slow afternoons together, talking about him, his patriarchal tendencies begin to surface. Alvina speaks to her father, and a childhood of fear and tyranny surfaces in her father’s recollections. Her grandmother’s experiences as a woman and a wife are colored by the same tyranny. These well kept secrets only had the tree outside the balcony and the walls of the house as witness, and their burden brings the house to life, and makes the tree restless.

My Grandfather's House

Dhrupad in the Time of Liberalisation
N/A

The contemporary relevance and future of oldest classical music.

Dhrupad in the Time of Liberalisation

2002
Starring Sharmila Tagore
N/A

Documentary about actress Sharmila Tagore. Introduced to film acting at age 13 by Satyajit Ray, Sharmila Tagore evolved into one of the most iconic actors and stars of the 60s and 70s India. straddling the worlds of classical and popular cinema with grace and poise. The Film journeys through her film career and life stories, while reflecting on her choices and resolve that made her an independent and phenomenal woman.

Starring Sharmila Tagore

2019
Waiting for the Kings
N/A

Pushed to the margins of the very wedding celebrations they contribute to, a group of migrant Muslim band players waits in the city’s corners until the ceremony ends.

Waiting for the Kings

No image
N/A

A documentary on the struggle of Tamil writer Sundara Ramaswamy to evolve modern literature in a society stuck with caste identities, traditional hypocrisy and language chauvinism.

Nee Yar (Who are You)

2009
The Diary of a Refugee
N/A

The uncertainties of life in the filmmaker's village, shot over a period of five years through the stories of his sister and her neighbours, threatened by the ever-expanding, land-hungry industries. Screened at Delhi and Mumbai.

The Diary of a Refugee

2012
Palace of the Winds
N/A

Vipin Vijay's Palace of the Winds is a poetic essay about that "Holy Little Box," the radio, conceived of as a ghostly transmitter of Indian cultural artifacts.

Palace of the Winds

2003