Gerhard Theuring

Johanna has fled Nazi Germany to visit a friend in Finland, and from there she continues on to her friend's family's estate. Once at the estate, Johanna passionately argues with her friend's pro-Nazi brother and at the same time, falls for the second, good-looking brother who shares her own anti-fascist feelings. The two are soon engaged in an active sexual relationship that continues as they travel north to an Arctic port.

A West Berlin doctor, married with a two-year-old child, leaves her husband to go to Munich to work in the birth clinic of a hospital. Her husband doesn’t know that she’s pregnant with their second child. Will she have to choose between motherhood and her career?

Like the wife of King Arthur in the legend, the main character in Ginevra, actress Cecilia Linné, is a figure of inspiration torn between two worlds and two men. She gives up her “contract” with society and its entanglement of love, work and money.

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An 3-hour project conceived by ten directors presenting the famous German legend of Kaspar Hauser, the story of a man who spent his childhood and adolescence raised on a cave by a strange man who kept him there for 18 years. One day, the man decides to take the young man out of the cave and takes him to a city where the under-developed subject will finally learn what it means to be a human being.

Documentary that blends dramatized reconstructions, personal reminisces and newsreel footage to tell the story of the flight of German refugees through occupied France to Marseilles in 1940. In 1977 Ingemo Engström and Gerhard Theuring embark on a journey through France. They trace the escape route of the German emigration in France 1940/41, documenting the places, talking to witnesses, relating the temporal layers.

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Shortly after her divorce, a doctor from Munich sets out on a trip. With a mute lover at the wheel of an old Mercedes 180, she visits female friends and talks to them about their circumstances and their idea of ideal love.

Leave Me Alone is a film about America, as it appears in music about America and in pictures from America.

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“The principle of angels is that they appear and disappear in one and the same moment…now…here….at this moment…salvation…That is what I call the truth of this film, or to put it differently, its structure. There is nothing in it which wasn’t produced at that moment itself.“