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Paul Barge

Acting

Biography

Paul Barge is a French actor and director known for his work in film and television. He directed Le paradis des riches (1978) and has acted in various productions, including the TV series Les cinq dernières minutes (1958) and Émile Zola ou La conscience humaine (1978). Barge's contributions to French cinema and television have been marked by his versatility and dedication to the craft.

Known For

Fort Boyard
7.3

A game show set and filmed on the real Fort Boyard in France. The contestants have to complete in physical and endurance challenges to win prize money.

Fort Boyard

1990
Touchez Pas au Grisbi
7.2

Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.

Touchez Pas au Grisbi

1954
Casque d'Or
7.4

At the end of the 19th century, during a ball in Joinville, on the outskirts of Paris, Georges, a former delinquent working as a carpenter, meets Marie, a young woman connected to a criminal gang.

Casque d'Or

1952
Manon
6.8

Port of Marseille, France, recently liberated from the German yoke. Caught as stowaways aboard a ship, Manon, a young woman who was accused of collaborating with the Nazis, and Robert, a freedom fighter who saved her from reprisals, tell the captain about the many challenges they have had to face in order to survive.

Manon

1949
The Strange Madame X
5.0

Irène is the unhappy wife of a wealthy publisher, Jacques Voisin-Larive, who cares about her no more than a beautiful piece of furniture. Her meeting with Étienne, a young cabinetmaker with whom she falls in love, turns her dismal existence upside down. Not wanting to reveal her condition to her lover, she pretends to be a modest maid, employed by the Voisin-Larive. At the end of a weekend spent with her lover, Irène discovers that she is pregnant. The fragile balance of their existence is suddenly broken. Taking the initiative, she reveals her affair to Jacques and tells him about her desire to divorce. But her husband has no intention of giving her back her freedom...

The Strange Madame X

1951
Paris Frills
6.5

Philippe Clarence, a famous Parisian dressmaker, seduces his friend's fiancee. But, for the first time in his life, this is for real. The film is also a sharp picture of the fashion world.

Paris Frills

1945
Twisted Mistress
6.6

Guy Carbonnel, a rich industrialist, has more eyes for rugby than for his wife Hélène. René Rivals, his long-time pal, takes advantage of it to court her but Guy is becoming suspicious so René has to find a way to deflect his friend's suspicion. He finally has an idea: he asks Lilian, a circus acrobat, to pose as his mistress. Lilian accepts and they embark on a series of eventful moments.

Twisted Mistress

1942
Holiday for Henrietta
7.1

Two scriptwriters argue about the fate of Henrietta, a charming and gamine shopgirl. One favors a comical path for their heroine, who is overcome with sentimental love for a young photographer on Bastille Day. The other has a more thrilling and dastardly fate in mind for her. Among the film's irresistible conceits is Hildegarde Neff as an oversexed circus bareback rider.

Holiday for Henrietta

1952
We Are All Murderers
6.7

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

We Are All Murderers

1952
Black Dossier
6.3

In the 1950s, in a small provincial town, a young inexperienced judge clashes with an influential notable during an investigation into a suspicious death. His perseverance to get to the truth will cause a huge scandal.

Black Dossier

1955
L'Affaire Caillaux
9.0

No description available.

L'Affaire Caillaux

1985
Cecile Is Dead
6.5

Cecile, a young girl who goes to the offices of the Judicial Police several times in a row to complain about nightly visits to the apartment she occupies with her aunt, is not taken seriously by the police until she the day she is found murdered.

Cecile Is Dead

1944
Threats
5.9

"Menaces" deals with the months before WW2 in a hotel :t he fear of the impending war never leaves the guests of an hotel in Paris.

Threats

1940
Pontcarral, Empire Colonel
6.6

For 15 years after Waterloo, a baron refuses to accept the defeat. He reluctantly marries one of 2 Bourbon sisters but lands up dueling with the wife's former lover. Finally he gets a chance to prove himself again in battle.

Pontcarral, Empire Colonel

1942
Shop Girls of Paris
6.9

The struggles of a small business owner come to light in this film by director André Cayatte. The proprietor of a fabric shop, M. Baudu faces stiff competition when a department store moves in across the street, the first of its kind in 1860s Paris. On top of the stresses associated with the rival retailer, Baudu’s niece and two nephews take up residence with him after recently being orphaned. The niece, Denise Baudu, sees the writing on the wall for her uncle’s business so she takes a job as a shop girl with his competitor and despite her success the decision does not register well with the family.

Shop Girls of Paris

1943
Miquette
5.4

A provincial ingenue leaves her mother’s tobacco shop with dreams of a life in the Parisian theater, only to become entangled in relationships with a lecherous aristocrat, his starry-eyed nephew, and an old ham actor.

Miquette

1950
Back Streets of Paris
6.2

Madame Rose runs a seedy hotel in a suburb of Paris. Strong-minded but without the least moral scruple, she once killed her husband whose honesty was a hindrance to her business. Under a suspended sentence, she now indulges in smuggling. One day, Victor, one of her former accomplices hounded by the police, finds sanctuary with her. During a drinking spree, he has the bad idea to entrust to her a suitcase filled with bank notes, a loot with which Victor hopes to rebuild his life in South America. But Rose, lured by temptation, betrays Victor, who is arrested by the police. However, he manages to escape with only one thing in mind, to take revenge on Rose...

Back Streets of Paris

1946
Antoine & Antoinette
6.2

1947, in France, Antoine and Antoinette, a young couple living in Paris, lead a monotonous existence: he works in a print shop while she is a shop assistant. But one evening, they regain hope: Antoine finds a winning lottery ticket in his girlfriend's handbag. He decides to cash it in, but loses his wallet. What follows is a series of twists and turns that redefine the couple's priorities while forcing them to remain optimistic.

Antoine & Antoinette

1947
Almayer's Folly
10.0

An adaptation of Joseph Conrad's first novel, taking us to the Malaysian mangrove forests against a backdrop of colonial decadence.

Almayer's Folly

1972
Crimson Curtain
6.6

Bertal, a despotic and hated theater director, is assassinated before a performance of Macbeth in which he was to play with Aurélia Nobli, his companion and Ludovic Arn, her lover. The police arrive on the scene and the investigation begins. Suspicion first falls on Sigurd, an old actor who had threatened Bertal. But parallels appear between the characters in the play and the actors who play them.

Crimson Curtain

1952