Esteban Perroud

Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.

X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.

Natalia "La Gorda" López hires two women to fetch a body that contains the kidneys that would save her estranged brother's life. Everything goes wrong.

An armed young woman and a poet with a strange physical condition live in a house disconnected from the outside world. One day, a knife sharpener rings the doorbell and falls in love with the girl at first sight. The poet believes that it is death coming for him. When she becomes pregnant and her son is born, the young woman returns to her mother's house, a lady with serious mental problems.

An Argentine theater company sets off on a tour of various towns in France, performing Anton Chekhov's The Seagull, directed by Daniel Veronese. The actor who plays Treplev—the writer in love with Nina—and Perroud, a young film director, record this trip. What begins as a travelogue transforms into a duel of viewpoints: that of Perroud's camera versus that of "the Actor who plays Treplev."

At night a traveling flash runs through the streets of Buenos Aires hell, illuminating even the most remote roads. It's easy to mistake it for an angel. Its light, volatile step numbs the city and condenses the glances. It takes refuge in subways and tunnels under the ground. It comes off time. It tempts the dead to come back. It is The Light. The comfort of the homeless.

A young libertine priest and a deranged actress fall passionately in love. When she introduces him to a world of narcotics and madness and subsequently disappears, he spirals into despair, committing a series of murders that leave him magnetized.

"Diablo Viejo" was going to be a family road trip movie, but the production stops when the co-directors' 9 year relationship comes to an end. After the separation both put together their own version of the story with the pieces of a broken relationship and a frustrated documentary.

The grandson of sculptor Jorge Michel reconstructs the life and legacy of the grandfather he never met. He visits warehouses and collections on his trail. While he looks for the misplaced work, he assembles his own identity.

A mirror game between reality and fiction about the creative blocking of a troubled artist. Ricardo Mosner exists, but his character transcends the documentary world. We also see musician Daniel Melingo, the film’s director and co-star, transformed into a ghostly vagabond in the city. The camera captures these specters’ roaming like images of a digital canvas. There is wine, loneliness, parties and sunrises of bourgeois bohemians. The film encrypts its indomitable value in exposing how you can paint an audiovisual picture under the influence of this century’s events and variations. In the end, the film is an act of combining brushes and colors with precision in order to depict a happy reunion in exile.

Ludmila Vieytes is in a cockfight in Cuba. With her baby in her arms and in a wheelchair, she comes to a passive acceptance of the torture, of the human and divine violence that shapes her beliefs.

Carla Ponti is a young psychologist who arrives home one night to find her dog dead and is then attacked. A police officer takes her report and dismisses it, but a murder he is assigned to investigate brings him back to the case.

The story of a woman, her lovers, the man who raped her, and the son that came out from that rape.