Mafalda Lencastre

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Rosa Fogo is a Portuguese soap opera that aired on SIC from September 2011 to June 2012.

Life at 500 mph... Patrícia, Marta, Yara and Weza are flight attendants who share a close friendship travelling between Portugal and Luanda. Filled with humour, strength and hope, these four friends have each other’s back unconditionally, in their highs and lows. As they’re hitting 30, new concerns come up, which they put off, such as marriage, motherhood and their own careers. When confronted with their first big disappointments in their adult lives, they’ll start to question the way they saw their future play out up until then... And the men in their lives as well... Their odd work hours and the distance that separates them leave little room for them getting together so, when their days off match and their flight schedule permitting, they get together and up to speed with each other. When everything in their lives seems to be decided for them, they’ll end up realizing that each day can turn into a new start after all.

Diogo Almada is a successful account manager at a telecommunications company who is struggling with serious stress and anxiety issues due to the constant state of pressure he lives in. His situation becomes worse when he suffers a stroke which puts him in hospital. There, doctors tell him that if he doesn't slow down things could become much worse for him in the future. He also meets the owner of a vegetables and herbs greenery in Beirais, a small village in the midlands, who is looking to sell it. Diogo then decides to buy him out and risk it as a farmer himself. He wants his girlfriend Teresa to come along with him, but she refuses to leave Lisbon due to her career and also because she doesn't want to give up her city comforts. But Diogo decides to move to Beirais anyway, where he is faced with an entirely different reality from what he’s used to.

Fora da Box is not a television show with a humorous format but rather a series of promotional sketches as part of an advertising campaign

In the mid-20th century, a troubled relationship between Germana, a young writer, and Quina, her aunt who lives in the northern Portuguese countryside. Feelings of jealousy, admiration and the complex magnetism between these two strong women arise.

Follows Hugo as he takes a gap year and returns to Porto to regain balance with his family, but he attends a concert by Luís Stockman, who plays a theme that Hugo has been writing in his head for years.

Organized like a dream, structured like a musical and with texts, both spoken and sung, that lead us to unexpected, chaotic and exciting situations, which try to grasp part of what the unattainable Alexandre O'Neill left us.

There's a film subtitler. There's a film she must urgently subtitle. There's the plot of that film, with which she relates on a level that will remain enigmatic to us. And in that film within the film there's a main character, whose dreams are being devoured, and other characters, interested in dreams as well, but far more practical. And there¹s music, and a promise of music. Timelessly wandering through the world.

Solitude and alienation are explored throughout a violent night.

The emotional journey of Yulya, a fragile and precious young woman.