Deniz Eyüboglu

Two sisters in their early thirties find themselves isolated in the Aegean summer cottage of their childhood, as they must deal with their uneasy sibling relationship and confront their devastating recent past past.

A filmmaker's 21-day homage to capture the ethereal essence of her unique ancient homeland soon to be submerged by a hydroelectric dam, AETHER is instinctively carried and driven by emotions, feelings and observations. It reveals the place's truths following its own unencumbered chronology. An invitation to a free-minded voyage into nature's cycle of birth-death-rebirth.

Alis, an Armenian woman in Turkey, returns to her summerhouse to find her surroundings gone. Urban change threatens her home. Haunted by childhood traumas, she resists, planting her plastic umbrella as a quiet yet firm defiance.

The lives of Emrah and Mahmut, who are students in Istanbul, are about to change. Mahmut has decided to kidnap his girlfriend Kezban because her brother opposes their relationship. Emrah, Mahmut, Kezban, and Emrah's girlfriend Yaprak set off for Emrah's family's summer house in Mersin. At first, everything seems to be going smoothly in Mersin. However, one day, Emrah and Mahmut realize that their girlfriends have been kidnapped. Using the clues they have gathered, they find themselves in Adana. With the help of Serkan, who joins them there, they embark on a comical adventure filled with humorous incidents.

When Ali's father hires a new secretary, she awakens desires in Ali that the shy 22-year-old never knew he had. But working for his father, his mother reminding him he's the right age to marry, and trying to be a good Muslim complicate things. Now he must choose between family duty and true love. Can you really make yourself and your family happy at the same time?

Consequent to her rape, Demet (Gassal) gives birth to a baby girl. After all she has been through, she is alienated from everything on the material world. She builds herself a world between her child and her duties against God.

Sema lives in Babadag. As in many houses in Babadag, they have to be evicted from the house they live in due to landslides. Sema cannot cut the emotional bond with her roots and doesn’t want to leave the house.

The boring lives of a small chicken farm's caretaker and his younger wife intersect with the seemingly fun lives of the new farmhand and his wife.

Didem and Ayse aren't able to find a job even though it has been a while since they've graduated from the university. In this time period in which these two young women step into adulthood and need to make money now - this period of time that is short for humanity, but lingering for them - the days are not much different from the previous ones. On the other hand, in order to able to stay in Istanbul, they must at least earn enough money to cover their rent, on the other hand, what they dream of, what want to do. They cannot find a way to earn money. On the edge of the metropolis, they are stuck in between the skyscrapers rising among the terrace of their home and the ruined apartment buildings.

Songül is about to finish her shift at the hospital where she works as a nurse. Upon learning that her husband Hakkı, whom she is about to leave, is coming home to collect his belongings, she decides to go home later to avoid seeing him.

Enver is disturbed by the ’smell’ in the building and believes that the new tenants at the basement are the reason. He starts collecting signatures from all the residents in order to evict them.

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Dilara decides to go out that night. Although not having any issues with her existence till the day, Dilara starts finding flaws in herself after she was faced with a barrage of criticism from her flatmate Kübra about her apparel as she was getting ready to go out. Questioning and comparing herself with any woman she comes across or any woman embedded in her mind for any reason continuously drives Dilara towards a damaged self-esteem. A surprise ending awaits Dilara who gets back home late at night, exhausted with all these thoughts.