Stuart Barren

Jack Frost is a gritty, dogged and unconventional detective with sympathy for the underdog and an instinct for moral justice who attracts trouble like a magnet. Despite some animosity with his superintendent, Norman “Horn-rimmed Harry” Mullett, Frost and his ever-changing roster of assistants manage to solve cases via his clever mind, good heart, and cool touch.

After eight years in prison for a crime he didn't commit – the murder of his wife – John Madson has been released and seeks revenge on the policeman that framed him, DI Rourke. He meets Magda, a feisty barrister, willing to help him legally and also gets him a job as an outside clerk in her chambers. As the wheels of justice grind slowly forward, Madson begins to rebuild his life and feels the need to help Magda's other clients, who the law appears to be treating unfairly.

Two large, interrelated south London families struggle to believe that blood is thicker than water.

As the Falklands War looms, an RAF recruit falls for a young barmaid, but their romance is quickly complicated with some surprising news.

"When you marry, have kids...you'll still be in that chair." An ordinary city flat. Evening. A man tries to talk to his daughter. She will not answer. The play moves through the prison of the mind, to that of the outside world in a search that leads to a tragedy.

A marital breakdown is brought to life through a mixture of dramatisation, monologue, montage and animation. Through the perspectives of the husband, the lawyer, the couple’s parents and their “home help”, a picture emerges of the transactional nature and economic fall-out of marriage, along with issues of class and gender politics affecting single mothers.