Kaleem Janjua

In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.

Murder in Mind is a British television thriller drama anthology series of self-contained stories with a murderous theme seen from the perspective of the murderer.

Dinnerladies is a BBC sitcom written by and starring Victoria Wood that chronicles the antics of a group of workers in a canteen in the north of England. Bren tries to maintain a semblance of order in amongst the chaos, while dealing with the canteen supervisor, slightly sex-obsessed cancer sufferer Tony. Dolly and Jean are the bickering menopausal older women, always at odds but best friends beneath it all. Then there's thick-as-two-short-planks Anita, and the terminally uninterested Twinkle, more concerned with having a good time than anything else. Making up the motley crew are military man handyman Stan, all rules and regulations, and ditzy Philippa, who never seems to get anything right.

This series shows the workings of an English hospital through the eyes of its junior doctors. Naive and idealistic Dr Andrew Collins (Andrew Lancel), soon realises he still has much to learn. His boss, Dr Claire Maitland (Helen Baxendale) on the other hand, has seen it all. She is a competent doctor, with a cynical view, and is ready to work the system when needed, but she and Collins work well together as she guides him through the many minefields of working in the NHS.

Bulman is a 1985–87 police procedural created and principally written by Murray Smith. Produced by Granada Television for ITV, it is the second and final spin-off from The XYY Man (1976–78), and following Strangers (1978–82). Don Henderson reprises his iconic role as former DCI George Bulman, ostensibly retired from and repairing old clocks but active as a private investigator, with Lucy McGinty as his assistant. The duo are frequently drawn into the clandestine world of the secret service through the machinations of security chief Bill Dugdale or Bulman's former superior Jack Lambie.

In 1971 Salford fish-and-chip shop owner George Khan expects his family to follow his strict Pakistani Muslim ways. But his children, with an English mother and having been born and brought up in Britain, increasingly see themselves as British and start to reject their father's rules on dress, food, religion, and living in general.

A Government Department with data on us all in its computers is not functioning quite as its ex-Head intended. Frank Strange sets out to clear his own name and finds he is investigating a murder.

A beautiful young woman asks Holmes to help her father, a former army captain and hopeless opium addict break free of the curse surrounding a stolen treasure.

Everyone has Halloween, but in Yorkshire, they have Mischief Night, where madness and mayhem rule. In the course of one night, the barriers that separate two families—one white, one Asian—come tumbling down in a blaze of crime, clubbing, love and fireworks—changing all their lives forever.

Derek Blore, MP, enjoys both a happy successful political career and a sideline in the suburbs. When his two political lives become confused, with an added Russian complication, he finds a national scandal engulfing him.

Cultural identity, women’s independence and the pressure to conform to British norms are the subjects of this bold and acute feature, which explores both British-Asian experience and the plight of recent immigrants. Rita Wolf (My Beautiful Laundrette), plays Majdhar, a Pakistani woman who transforms herself in London after her husband leaves her for another woman. While Majdhar feels her way towards confident self-determination, husband Afzal is torn between his heritage and his Western aspirations.

Documents an Indian-English family's attempt to give their Briticized daughter a traditional Indian arranged marriage, with as much photography as possible.

Ali is stands out. He's one of the few British Muslim soldiers in the Armed Forces. Returning home from duty in Afghanistan for his father's funeral, over the course of the day, he is once more faced with tensions from the antagonistic community and his abandoned brother.

Using a blend of magic realism and realist drama, Memsahib Rita looks at the physical and emotional violence of racism. Shanti is haunted by both the racist taunts of nationalist white youths and the memory of her white mother.

A brother and sister travel from London to India for the funeral rites of their estranged Sikh father. For her it is a chance to discover more about her homeland, but for him the confrontation with foreign customs and the burden of new duties is unwelcome and traumatic.

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As they finish yet another long shift in the kitchen, six workers discuss their aspirations and failed dreams, while the boss upstairs counts his takings.