Pierre Vernier

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Murders in... is a collection of French-Belgian police TV movies taking place each time in a different French city and region.

The New Avengers is a British secret agent fantasy adventure television series broadcast during 1976 and 1977. It is a sequel to the 1960s series The Avengers and was developed by Albert Fennell and Brian Clemens. A joint United Kingdom-France-Canada production, the show picks up the adventures of John Steed and his team of Avengers fighting evil plots and world domination. Whereas in the original series Steed had almost always been partnered with a woman, in the new series he had two partners: Mike Gambit, a top agent, crack marksman and trained martial artist, and Purdey, a former trainee with The Royal Ballet who was an amalgam of many of the best talents from Steed's previous female partners.

The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.

Josselin Beaumont, a French secret agent, is tasked with assassinating Njala, the president for life of Malawi in Africa. A shift in French policy means that assassinating Njala is no longer an option. But instead of recalling their agent, high-ranking officials deliberately sacrifice Beaumont by handing him over to the Malawian authorities. Arrested, tried, and imprisoned, he nevertheless manages to escape. Back in Paris after a two-year absence, he informs his superiors through Colonel Martin that he will fulfill his contract during Njala’s upcoming official visit to Paris between the 12th and 15th of this month, and that he has a few scores to settle with the D.G.S.E. The question is, should Beaumont be stopped or not?

Graf Yoster gibt sich die Ehre [French title: Le comte Yoster a bien l'honneur] is a TV series which followed the adventures of the title’s amateur gentleman detective. It was a success in particular in Germany and in France. Originally the show was a German production in black-and-white but it evolved into a European co-production in colour.

At a dysfunctional hospital in Paris, three bumbling, eccentric medical employees embark on zany misadventures with surgical imprecision.

Teenage Julien loves his teenage cousin Julia among flowers in summer of '39 France.

From Bonaparte to Casanova, history is cast in the light of famous escapes from various European countries.

The daily life of two neighboring families, the Bouley and the Lepic, with literally opposite educational methods. Despite their social and cultural differences, they are friends and do not hesitate to face worries...

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Captain Michael Strogoff is chosen in Moscow to be the courier of the Tsar, 5,523 km far to Irkutsk, to warn the governor about the traitor Ivan Ogareff, a former colonel, who was once demoted and exiled and now seeks revenge.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

Handsome and ambitious, Julien Sorel is determined to rise above his humble peasant origins and make something of his life-by adopting the code of hypocrisy by which his society operates. Julien ultimately commits a crime-out of passion, principle, or insanity-that will bring about his downfall. The Red and the Black is a lively, satirical picture of French Restoration society after Waterloo, riddled with corruption, greed, and ennui.

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In a France fractured by court rivalries and personal ambitions, Richelieu moves without ornament. No flourish, no glory — only the cold machinery of power. Caught between a hesitant king, a nobility dreaming of defiance, and enemies multiplying on every front, the cardinal enforces his line: centralize, control, crush resistance. The series follows a strategist who doesn’t hide behind morality. He acts to keep the State standing, even if it means breaking those who stand in his way. Espionage, secret negotiations, decisive strikes… Richelieu plays a game where mistakes are fatal, and the survival of the kingdom rests on one man willing to go further than all the others

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Paris, France, 1942, during the Nazi occupation. Robert Klein, a successful art dealer who benefits from the misfortunes of those who are ruthlessly persecuted, discovers by chance that there is another Robert Klein, apparently a Jewish man; someone with whom he could be mistakenly identified, something dangerous in such harsh times.