Acting
SOKO Kitzbühel is an Austrian television series produced by ORF and ZDF. It is a spin-off of the German crime series SOKO 5113. It is set in the renowned Tyrolean tourist centre of Kitzbühel. The production company "beo-Film" has produced the show since 2001. The German abbreviation SOKO stands for Sonderkommission, "special commission", a task force with specific duties.
SOKO Donau is an Austrian television series.
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1938. While the Nazi troops march into Vienna, the lawyer Josef Bartok hastily tries to escape to the USA with his wife but is arrested by the Gestapo. Bartok remains steadfast and refuses to cooperate with the Gestapo that requires confidential information from him. Thrown into solitary confinement, Bartok is psychologically tormented for months and begins to weaken. However, when he steals an old book about chess it sets him on course to overcome the mental suffering inflicted upon him, until it becomes a dangerous obsession.
The criminal psychologist Richard Brock teaches at the University of Vienna. He used to work as a psychologist until his wife took her own life and he lost his license on suspicion of incorrect treatment. In the meantime he has developed a reputation as a particularly good interrogation specialist and is therefore called in by the police in special cases.
A family, blessed with richness and power, is desperately seeking for a liver for their father, who wants to hand down his wealth to the one who gets the organ.
The cum-ex scandal has caused 146 billion euros in losses in several countries. Inspired by true events, two women from Germany and Denmark are trying to put an end to it.
Matthias is a master of pretense, from cultured boyfriend to perfect son or marital coach. He makes a career of being someone else. The real challenge begins when he has to be himself.
Charlie who comes to Spain with a group of artists wants to live a new life, so he runs away from the group to find another job. Later, under some circumstances, his talent for cooking gets him the job of a chef for the Spanish ambassador.
Gerold Plassek is an unsuccessful journalist on a free sheet. As an ex-girlfriend who suddenly has to go abroad and entrusted him with her son Manuel, his everyday life changes suddenly. The critical 14-year-old becomes a real challenge. Manuel has no idea that this "failure" is his father - "Geri" lacks any drive, the local pub is his living room and alcohol is his most reliable friend. But his misanthropic life is moving.
Anna plans to escape her stifling provincial life, but a ghostly encounter causes a delay. A poignant tale of departure, set in the Styrian countryside and with strong ties to the genre tropes of the uncanny and the grotesque.
A girl disappears, and a cow drops dead. While the men tell each other jokes, the women grab the bull by the horns—together they take on the crime.
The death of a winemaker leaves Sifkovits unmoved – what with a fermentation gas accident, there's something going on, or in this case, something in the vine! Of course, the "Burgenland Columbo" isn't deterred by trivialities like his boss's order not to investigate under any circumstances.
Although director Olga Kosanović was born and raised in Austria, she is not allowed to be Austrian. Her first attempt at naturalization failed. One contemptuous social media comment summed it up: “If a cat gives birth in the Spanish Riding School, that doesn’t make the kittens Lipizzaners.”What notion of identity underlies a legal system that divides society into “us” and “them”? A film about belonging — and about a second attempt.
Places of longing loaded with expectations are usually only of a snowball throw away from the next disappointment. And on Austrian slopes the disappointments occur in the interpersonal realm. Bernhard Wenger stages his latest film as a painfully realistic, but also humorous, episodic mockumentary captured by weather cameras.
Olga Kosanović reveals the unfair absurdity of Austria’s right to residence. The single father Vladimir wants to work to be able to stay in the country with his daughter. But if he doesn’t have a residency permit, he’s not allowed to work. From this paradox, the film filters a humanistic indictment of cynical domestic policies in the land of insurmountable peaks.