Sándor Köleséri

Geralt of Rivia, a mutated monster-hunter for hire, journeys toward his destiny in a turbulent world where people often prove more wicked than beasts.

Hollywood, 1942. The US government pressures Hungarian-born film director Michael Curtiz, who is about to finish shooting Casablanca, to accentuate the film's propaganda message in order to sway public opinion in favor of the country's intervention in the European war.

A queen is so vain she needs the magical mirror the Black Knight forged to tell her daily she's the belle of the realm. When it adds Snowwhite, the king's heiress, has grown even more beautiful, the queen orders him and the shivering jester Andreas, who secretly loves the girl, to murder her step-daughter. However the knight fakes her death and seven dwarfs take her in at their magical mine. The dwarfs tell her various secrets, including true identities, and plot to save her, the disguised queen to murder her once the mirror betrays she's alive.

Bence - who is a member of his father’s petty crime organization – goes to his grandparents over the weekend. He is there to say goodbye to his demented grandfather and to provide some help to his grandmother, Magda with the old man’s caretaking. While he is with them Bence has to confront some unpleasant truth about the family’s collective past, and he also realizes the violence he casts on others follows him everywhere.

In a small village, a terrible epidemic is decimating the people. Desperate men, in the absence of a priest, try to end the horrors with their own methods. They believe that the cause of all troubles is a demon called Csóré. One day a stranger arrives in the village.

This story is about letting go. Sometimes we can't let go, and this might result in consequences that end in tragedy. There's only one thing we can do: face ourselves.

Experimental short film.