Acting
Ever since US Diplomatic Security Service Agent Hobbs and lawless outcast Shaw first faced off, they just have traded smack talk and body blows. But when cyber-genetically enhanced anarchist Brixton's ruthless actions threaten the future of humanity, they join forces to defeat him.
A drunken New Year's Eve hook-up becomes far more complicated for Jessie when she discovers her one night stand is actually a film star.
Set in London, where gratification is only an app away, the story centers on Arabella, a carefree, self-assured Londoner with a group of great friends, a boyfriend in Italy, and a burgeoning writing career. But when her drink is spiked, she must question and rebuild every element of her life.
A chance meeting after a cancelled flight leads to an unlikely night of drunken airport-hotel sex between two strangers in their late twenties, Fola and Josh. Both are already in relationships and unknowingly soon to be neighbours.
Minnie and Quinn were both born in London on New Year’s Day, in the same hospital, one minute apart. Thirty years later — and very different people — they find themselves thrown together again in the same city on New Year’s Eve.
On New Year's Eve 1999, three friends, who are attempting to break into the music scene through pirate radio, drive through London in a desperate search for tickets for the best millennium party ever.
HOLE_AID presents Up the Catalogue, an ambitiously small film set in a fictional shopping channel by the name of 4QTV. Tasked with flogging a seemingly endless cycle of questionable products, star presenter, Hailey Cartin, is starting to fear she might be trapped in live television. When a rival product demonstrator eventually forces Hailey to confront her own quest-defying reality, will she ever be able to climb out of the hole she’s now in? Maybe. But maybe not. (And certainly not without the generous help of the film’s sponsors, HOLE_AID.) A story for the ages, Up the Catalogue boldly takes the shopping channel film genre away from cult classic territory and straight into the mainstream.
The first installment of Phyllida Lloyd’s groundbreaking all-female Shakespeare Trilogy sees Harriet Walter take on the role of Brutus, who wrestles with his moral conscience over the murder of Julius Caesar.
A woman tracks down and kills those who share the same name as her.
Embark on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury, England. The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.
Phyllida Lloyd’s final installment of the Donmar Shakespeare Trilogy concludes with an all-female version of The Tempest starring Harriet Walter as Prospero. This captivating reimagining explores themes of freedom and justice in the context of a women’s prison.
Harriet Walter takes the lead in the second installment of the Donmar Shakespeare Trilogy directed by Phyllida Lloyd. Featuring a diverse company of women, this unique interpretation combines both parts of Shakespeare’s history plays about King Henry IV and his son Prince Hal.
One of the world’s greatest living writers - Hilary Mantel - delves into her past and present, intertwining the themes of the Wolf Hall trilogy with stories from her own life.
