Directing
A delightful music evening in the deep woods turns into chaos when an overly enthusiastic fan accidentally wreaks havoc in a burst of excitement.
A young girl who accidentally breaks her father's cherished watch sets out to sell homemade baskets to pay for its repair, but things don't go as planned in this story of mistake and forgiveness.
Desi Oon is also a tribute to the revered shepherd Balumama, who dedicated his life to nurturing and protecting the Deccani sheep—a breed deeply rooted in the heritage of sustainable pastoralism.
A marvellous menagerie of monsters, plucked from the imagination of Mr. P. N. K. Panicker of Kerala, India, a top-notch teller of tall tales. The nonagenarian Mr. Panicker has a lifetime of likely stories to share, and this batch – recorded on the sly by his son, SEEN IT’s creative director Suresh Eriyat, and animated by the talent at Mumbai-based Studio Eekasaurus – is a fine place to start.
The film talks about how in India everyone wants to be light skinned, and how there is a sense of idealism and beauty associated with fair skin, whereas it is negativity and repulsion that is associated with dark skin.
Mr. P.N.K Panicker's animated avatar reveals how Arana, the humble red-tailed skink, acquired a famous trait.
The film talks about how Indians, today, are blindly copying from the West, aspring to dissolve all the cultural and lifestyle differences between us and them.
A poignant story of a middle aged fisherwoman who dreams of owning an auto rickshaw and the subsequent consequences that ensue
A seed, cradled in the embrace of potential, whispers tales of a destiny unknown. With tender care, we cultivate its essence, birthing not just a tree, but a legacy of dreams.
This depicts how humans polluted nature, creating chaos. The pandemic has actually brought calm to the present, where uncertainty and hope coexist in a space where we can reflect and choose.
A deep dive into an oceanic terrain of essentials and reminiscences transforms the familiar into the extraordinary, gently blurring the line between the world we’re in and the worlds we carry.
