Robert Cartland

Jim Bergerac is a detective sergeant in The Foreigners Office who likes to do things his own way. While dealing with his own personal demons Bergerac has a knack of finding trouble, and sometimes causing it.

Justice is a British drama television series which originally aired on ITV in 39 hour-long episodes between 8 August 1971 and 16 October 1974. Margaret Lockwood stars as Harriet Peterson a female barrister in the North of England. It was made by Yorkshire Television and was based loosely on Justice Is a Woman, an episode of ITV Playhouse broadcast in 1969 in which Lockwood had previously also played a barrister. The theme music was Crown Imperial by William Walton.

Drama 61-67 is anthology drama series which took a different title, based on year of transmission, each year. It alternated with Armchair Theatre from ABC in the Sunday evening slot. The series was described at the time as epitomising ATV drama.

Lytton's Diary is a 1985–86 British comedy-drama programme created and written by Peter Bowles and Philip Broadley. Produced by Thames Television for ITV, it originated as a single play on the anthology programme Storyboard before expanding into two popular series, known for their mix of glamour, intrigue, and social commentary. Bowles stars as Neville Lytton, a suave and successful Fleet Street gossip columnist for the Daily News. Lytton navigates the world of high-society scandals, political corruption, and personal challenges, balancing his professional life with his love life and his ambition to write a novel.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

Private Schulz is a six-part 1981 television comedy-drama serial written by Jack Pulman and produced for BBC Two. It stars Michael Elphick in the title role, with Ian Richardson, Tony Caunter, Billie Whitelaw, Billy Murray, and Mark Wingett. Set primarily in Germany, during and immediately following World War II, fraudster and petty criminal Gerhard Schulz is forced to serve in the SS. In a story based on the real, though unrealised, plot by the Germans known as Operation Bernhard, Schulz tricks the Nazis into making counterfeit British £5 notes, millions of which will be used to destroy the British economy.

As the UK begins its military engagement in the Falklands, a BBC news journalist attempts to climb up from his working-class roots, at any cost, lying to those around him to get what he wants, only to discover that he is the recipient of a deception far more clever than his own.

A docudramatisation of the 1960 obscenity trial in the United Kingdom of Penguin Books for publishing D.H. Lawrence's novel Lady Chatterley's Lover.

Agamemnon returns home from the Trojan war and is murdered by his wife, setting off a chain of revenge that stretches across this trilogy of play. Directed by Peter Brook for the National Theatre, this is an all-male performance with masks.

The Doctor, Vicki and Steven arrive on an arid planet where they meet the beautiful Drahvins and the hideous Rills. Each has crash-landed after a confrontation in space. The Rills are friendly, compassionate explorers. The Drahvins are dull-witted, cloned soldiers, terrorised by the intelligent, warlike matriarch Maaga.

In this crime drama, three gem thieves must get out of London after they kill a man. Friction between the men increases as they hide out on a farm and then get back on the road. Trouble ensues when one of the three begins suspecting the others of treachery.

A successful TV personality struggles to juggle the demands of his wife, career, sick mother and mistress.