Juliána Brutovská

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The life of a man after he experiences forgotten baby syndrome, unintentionally leaving his infant daughter in the back seat of his car.

Lena is a 17-year-old girl from a middle-class family who is experiencing her first love: secret night adventures and magical morning walks along the Danube. However, her dream world is shattered when she is raped. Withdrawing, she ultimately attempts to slit her wrists. Her family, helpless, entrusts her to a psychiatric institute.

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Overwhelmed by motherhood, Ester steals a caravan and flees to southern Italy with her son David, with an intellectual disability. They meet a young drifter whose open heart transforms their makeshift family into something freer, lighter, and full of unexpected hope.

A mysterious woman returns to her mountain village home to confront her painful past. As she tries to uncover the long-buried truth, the local villagers accuse her of witchcraft and murder.

A new man comes into the world and his fate is watched over by three female judges. One of them endows him with exceptional qualities, the second puts many obstacles in his way and the third advises him how he can find his happiness in life in spite of everything. But what happens if one of the women judges fails in her task? In a fairy tale story full of suspense, humour and surprises, the kind and wise girl Johanka finds out for herself... There will be a stubborn prince, an unjust and greedy uncle, or a forgetful fairy Tea, but most of all a lot of love, which, as it happens in fairy tales, will help Johanna to overcome almost all the obstacles of fate.

Eva would do anything to regain the love of the one she hurt the most - her son. She is a recovered alcoholic but decades ago she was a famous actress.

Adam Oĺha's father, a well-known Slovak educator and filmmaker, decided to leave his wife and six children and start anew after years of living together. Adam takes his place and starts recording the family's peripeteia. As the eldest of the siblings and the last man in the family, he examines his father's old picture records, compares them with the present and tries to find out what led to this radical change.

Ida is cleaning out the house that her grandfather, an artist, used to live in. She wades through a studio overflowing with artefacts, oddities and lost history. Similarly to S P A C E S, Štrbová treats the theme of memory and loss, combining fiction and documentary, letting the images of nostalgic childhood and the suffocating past flow associatively. To the sound of Francesco Geminiani's Concerto grosso no. 12, subtitled Madness, the fragile physicality of both dead and living relics stands out. The head of a dead parrot, a cast of her grandmother's breasts or a moss-covered real estate agent represent the discoveries of a personal archaeological site and exhibits of an introspective museum of family history.