Kelli Breslin

A dangerously charming, obsessive man goes to extreme measures to insert himself into the lives of women who fascinate him.

Eight years after the original website went dark, a new generation of New York private school teens are introduced to the social surveillance of Gossip Girl.

Welcome to a place where being normal is really quite strange. In a remote Texas town no one is who they seem. From vampires and witches to psychics and hit men, Midnight is a mysterious safe haven for those who are different. As the town members fight off outside pressures from rowdy biker gangs, ever-suspicious cops and their own dangerous pasts, they band together and form a strong and unlikely family.

Two teen ghosts work alongside a clairvoyant to solve mysteries for their supernatural clientele — until a powerful witch complicates their plans.

Everything ends - marriages, life, civilization, Earth, and the universe as we know it. Say goodbye to everything you know and hello to madness and the outrageous, unexpected horrors lying beyond the dark.

When a professional wingman falls for a professional man-eater, it's only a matter of time before they realize that they're in love with the competition.

What starts out as a hot hookup with his dream guy turns into a nightmare when Daniel realizes they aren't alone in the house.

Three estranged foster brothers rediscover the ruins of their childhood kingdom 'Oxenfree'...and face down the monster living within.

For more than half a decade, Etheria Film Night has been one of the world’s most respected showcases of new horror and genre films made by emerging women directors. The 2020 Etheria Film Night Shorts Lineup includes Waffle (directed by Carlyn Hudson), Maggie May (directed by Mia'kate Russell), Basic Witch (directed by Yoko Okumura), The Conversion Therapist (directed by Bears Rebecca Fonte), Offbeat (directed by Myrte Ouwerkerk), The Final Girl Returns (directed by Alexandria Perez), LIVE (directed by Taryn O’Neill), Man in the Corner (directed by Kelli Breslin) and Ava in the End (directed by Ursula Ellis)