Production
An anthology series of television plays which aired on BBC1 from October 1964 to May 1970. The plays were usually written for television, although adaptations from other sources also featured.
A UK anthology series of single plays from major playwrights old and new. It ran from 1955 to 1974, producing about five hundred ninety-minute episodes from Granada Television. Season 1 also incorporates the Plays from the 'H.M. Tennant Globe Theatre' series, some of which were incorporated and labelled in listings as official Play of the Week episodes and some of which were played in place of Play of the Week episodes in alternative ITV regions. All 8 plays have been incorporated into this entry for convenience.
A series of real trials from British history, famous and notorious, dramatised from the court records.
A made-for-television play about an exiled Polish Army lieutenant faced with his darkest secret.
Four informal programmes in which the controversial Canadian pianist talks and plays to Humphrey Burton
Eye Opener is a Canadian experimental drama television series which aired on CBC Television in 1965.
In Part II of the series "Glenn Gould Plays Bach", Gould concentrates on the fugal form in Bach's works, showing us how Bach uses keys like stops on an organ, and how they give him ideas and colours. He performs various fugues from the Well-Tempered Clavier and reveals why he feels the "Art of Fugue" is the work that summed up Bach's life.
Part I of the series "Glenn Gould Plays Bach" is devoted to Bach's "Art of Fugue." Gould's performance is followed by a lively repartee with Monsaingeon, in which the pianist provides dazzling insights illustrated by music examples. He explains, for example, why he plays some pieces extremely slowly, and bemoans the "musicological overkill" of scholars who insist that Bach's keyboard music should only be played on a harpsichord.
Part III in the series "Glenn Gould Plays Bach" spotlights Gould recording Bach's "Goldberg Variations" in a sound studio. In a brief introduction, he reminisces about his first recording of the pieces and explains why he wanted to record them again now, a quarter of a century later. It was to be his last recording of the "Goldberg Variations" and perhaps the last time he played the work: Glenn Gould died the year after the recording was made.
